Writing
The Four Seasons Mosaic unveils a remarkable and bold musical endeavor: the reinvention of Antonio Vivaldi’s beloved masterpiece ‘The Four Seasons’ to include western violins, Chinese pipa, Indian sarangi and Inuit throat singers.
Le Chevalier de Saint-Georges overcame class and race prejudices in 18th century France to become a musical genius who would inspire Mozart.
In the wilds of the Canadian Rocky Mountains, a mother moose tends to her newborn calf. Spring is in full swing, but this far north winter is never far away and, with hungry bears and wolves for neighbours, many challenges lie ahead. Local cameraman Hugo Kitching knows this only too well, but he is determined to follow the mother and calf through the four seasons. What unfolds is a very intimate story, and when Hugo finds a second moose calf born late in the year, things take an unexpected and dramatic turn.
In the 1970s, Dr. Alexander “Sasha” Shulgin significantly contributed to the development and psychopharmaceutical use of MDMA: a catalyst to personal doors entombed or unknown. His widow, co-author, and research partner, Ann—alongside friends, family, and colleagues—gives a guided tour of their life and laboratory, reflecting on how risks and revelations opened a world of compound enlightenment. Stippled with spirituality, sadness, and skepticism, the Shulgins’ chemical love story examines the power of psychedelic psychotherapy, sacred alchemy, and challenging the path of misunderstood resistance.
