Simon Edelstein

Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

Dr. Paul Calmet is dead. His son Jean again feels the familiar feeling of anguish caused by his father; victim of this torture, he is carrying the virus of misfortune.

A radio host meets a woman who breaks into houses.

No description available.

As he sets off for the countryside outside Geneva a taxi-driver hears a gunshot and notices a shadowy figure slipping away from the scene. So begins a series of strange incidents.

Shot over six weeks in December 1971, and January 1972, the film consisted of interviews with Protestants, Catholics, politicians, and some soldiers, combined with TV news clips of bombings and violence. The deaths of four individuals formed the central focus of the film, which Ophüls described as ‘an old, middle-aged, humanistic, social-democratic attempt to give people an idea that life after all is not that cheap’. The BBC refused to transmit the completed film on the grounds that it was ‘too pro-Irish’ (Sunday Times, 5 Nov. 1972). (via http://cain.ulst.ac.uk/othelem/media/docs/freespeech.htm)

Interspersed with jokes, visual puns, and philosophical discussions, the story follows the attempts of a girl who has spent the last year living outside her native Switzerland to rekindle a former love affair. When her immature young friend fails to demonstrate the requisite interest, she takes up with someone the boy disapproves of. When the boy kicks the man, the man leaves both the boy and his erstwhile ex-girlfriend to their own devices.

A César nominated short drama looking at the impact of prison life on an incarcerated nine year old boy.