Acting
Set in the 1990s, these are the life and times of Amado Carrillo Fuentes, a man who became the head of the Juárez cartel. Nicknamed “El Señor de los Cielos” (Lord of the Skies) because of the large fleet of airplanes he used to transport drugs, he was also known for washing more than $200 million through Colombia to finance his huge fleet. He is described as the most powerful drug trafficker of his time.
Follow one man's epic journey as he transforms from wily underage drug smuggler to one of the world's most infamous cartel leaders.
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Kassandra is a Venezuelan telenovela, written by Delia Fiallo and directed by Grazio D'Angelo and Olegario Barrera, involving a gypsy maiden marrying into a rich family. She does not realize, however, that she is the granddaughter of the man in the house. Her husband is killed on her wedding night, and she is blamed for the murder. Kassandra lasted 150 episodes between October 1992 and May 1993, and it achieved a significant amount of success outside Venezuela; it was extremely successful in its later airings in Italy, Russia, former Eastern Bloc nations, the republics of the former Yugoslavia, as well as the Middle East, south and east Asia. The 2005-2006 Televisa telenovela Peregrina is a remake of this show. This was the only Hispanic telenovela dubbed in Cebuano and Hiligaynon languages in Visayas and Mindanao in the Philippines, aired by GMA Iloilo, Cebu and Davao.
Estrambotica Anastasia is a Venezuelan telenovela, produced by Coral International for Radio Caracas Television in 2004. It was written by Martin Hahn, who is known for telenovelas like "La mujer de Judas" y Amor a Palos". It lasted for 146 episodes, and was broadcast Monday to Friday on Radio Caracas Television.
Luisa Fernanda is a Venezuelan telenovela that was produced by and seen on Venezuela's Radio Caracas Televisión. The writers of this telenovela are Xiomara Moreno, Luis Colmenares, Rossana Negrín, Xiomara Moreno. Its directors were Otto Rodríguez and Mateo Manaure. This telenovela lasted 130 episodes and was distributed internationally by RCTV International. It was a very loose version of the 1988's successful telenovela, Abigail.
Emilia is a woman who, against her mother's will, confronts everything and everyone to pursue her dream of succeeding as a singer. She has a beautiful voice that immediately connects with people and the talent to put music to the words that come from her heart. Although her mother was the one who taught her how to sing, she forbade her from doing it professionally, believing that those who enter that world, full of vices and easy ways, get lost. When Emilia meets Angel, her idol, she finds the strength to pursue her dream without realizing that her voice will give him hope and life. Angel will give her wings and Emilia strength. Still, they must face many obstacles to materialize their love and survive between love and fame.
Caribe is a Venezuelan telenovela that was produced by and seen on Venezuela's Radio Caracas Televisión. The original idea for this telenovela was by Mariela Romero. Carlos Alfredo Sanchez was in charge of scenery, Carlos Bolivar was in charge of general produccion, Genaro Escobar was the executive producer, and Ibrahím Guerra, and Reinaldo Lancaster were its directors. This telenovela lasted 176 episodes and was distributed internationally by RCTV International.
Amantes was an epic Venezuelan telenovela produced and aired on RCTV in 2005. The telenovela was written by Luis Colmenares and directed by Tony Rodriguez. It starred Chantal Baudaux and Juan Carlos Alarcón as the protagonists with Veronica Schneider and Aroldo Betancourt as the antagonists.
When Matt Booth sets off to meet his fiance for a foreign wedding he couldn't have imagined the dangerous world he was about to step into. Betrayed and set up, Matt finds himself on the run from the CIA and hired mercenaries, all looking for a package that he has supposedly smuggled through customs. Hunted on all sides, Matt is aided by Agent Adriana Vasquez, a femme fatale with orders of her own to follow.
In a tiny town in an unnamed Latin American country in the 1930s, a young telegraph operator helps link the small, repressed community to the outside world, against the will of the powerful colonel who rules the village like a dictator.
In the shantytowns of Caracas, teenage Aixa finds herself unexpectedly pregnant and trapped between conflicting forces: her grandmother Carmen, young yet matriarchal head of the sprawling family clan, desperately tries to prevent Aixa from repeating the cycle of teenage motherhood that has plagued the women in her house for generations; meanwhile Ramon, the drug-linked young father, more obsessed with the idea of a child than with responsibility, resorts to threats—“If you get rid of the baby, I’ll kill you”—to impose his will. All around Aixa, others believe they know what’s best for her—but the choice of life or death, hope or despair, remains hers alone in a world where survival is the only certainty.
Una madrugada frente del Cementerio, el trompetista Alirio Guaramato, borracho y nostálgico por la muerte de su mejor amigo, consigue tocar las notas musicales reservadas a los ángeles para la resurrección de los muertos. Alirio sólo toca estas notas unos instantes suficientes para que Antonieta García, quien había muerto a los 85 años, vuelva a la vida con la apariencia de 20. Antonieta buscará una dirección que permanece en su memoria y allí encontrará a su nieta Mónica. Mientras tanto, un amargado ángel será enviado con la misión de restablecer el Orden Universal que ha sido roto...
Between love and duty lies the life of Juana Crespo's daughter, Diana, who sighs with hope and indecision in the face of the advances of Gustavo, the leader of a criminal gang with whom she falls in love, and David, a detective who, through his delicate attentions, gradually wins her affection and consideration. Although Gustavo remains in her heart, Diana decides to marry David; however, shortly before the wedding, she breaks off the engagement to honor his feelings. However, her greatest fear materializes: she becomes pregnant with David's child, and her dreams of success are now at risk. Diana must decide between forming a single-parent family in a now more open society, without the prejudices and accusations her mother, Juana Crespo, endured when she decided to become a single mother, or succumb to Gustavo's insistence and trust that the love he professes for her is true.
