Senad Šahmanović

Sanela, a Montenegrin of Muslim background who left the former Yugoslavia in the 1990s after her father was kidnapped and killed alongside other Muslims, comes back to the Balkans after twenty years abroad. She has betrayed her origins, erased her own culture, and become a true Westerner. They say the past is a foreign land and that the one who departs and the one who returns are not the same person.

A man with somewhat antisocial behavior and a particularly rude and harsh style of dealing with his clients falls in love with the wrong person, who is also his customer. He is a car junkie on the outskirts, while she is a young actress on the rise. They are brought together by an old car, which to the young actress remains as a memory from her grandfather. After initial rejection, he's the only guy in town who can fix that old timer, and she's the only one who makes him realize that cars might not be the center of the world.

The last unfinished film by Živko Nikolić. This is "a movie about a movie" which Živko could not finish because of the lack of funds.

A film of the state of mind, great reflections and even greater decisions made in a little village shaped by the long-standing customs and tradition. The story follows the life of a husband and wife, Drago and Persa, who lost their son ten years ago. Their plan of fake death and staged funeral will take their son's murderer back to the village after a decade of hiding in fear of revenge. Drago, hidden in the mill with the help of his wife, plans to take the final revenge, but the solitude of several months has changed his, up until then, firm decision. Is it desire for revenge stronger than desire for life? Is it possible to forgive and close the cycle?

The rise and fall of Yugoslavian filmmaker Dušan Vukotić - the only Yugoslav Oscar-winner and one of the founding members of the Zagreb School of Animation - uncannily mirrors the tragic fate of his multiethnic country.