Mimi Kok

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At the deathbed of his used-to-be militant mother an older man looks back at his childhood, when he was in love with his sensual aunt Coleta.

25-year-old Michael has been released from prison after a five-year sentence. He moves into a big apartment block, filled with young women who gladly have sex with him.

A large sugar concern wants to take over the ailing sugar factory of the Rustenburg family. A fierce battle ensues and plans are hatched to depose the factory's director.

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Bob and Annie separate. After the court case Annie gives Bob two airline tickets for a tropical island to save their relationship. However, Bob takes someone else with him on holiday: Carmen, the daughter of Mafioso Don Gorgonzola. Annie lags behind in Holland, where she falls in love again with other men.

Hugo Claus rewrote and directed Friday as the cinematic version of his original 1969 play of the same name. Just as in the play, the story begins with the theme of incest, as the father Georges (Frank Aendenboom) returns from serving his jail sentence for that crime. Unlike the earlier play, however, the film does not emphasize that aspect of the story. When Georges gets home he finds out that his wife Jeanne (Kitty Courbois) has had an illegitimate child by a younger man, Erik (Herbert Flack), and now both of them must somehow try to return to a normal life, given their only too obvious lapses in moral judgment. As the husband and wife try hard to accommodate each other's failings and start to get to know each other again, Erik comes back into the picture. Now the three of them must resolve the deep-seated conflicts that brought them to this emotionally-wrought juncture of love and betrayal.

After her mother -- a prostitute -- is murdered by her father, Sien is raised by her grandparents. Instead of a bourgeois life with grocer's son Gerrit van Buren, she chooses for an adventurous life with toutman Jan Meier. She follows him and becomes a revue artist in an Amsterdam cabaret, until her father comes to see her...

De Mantel der Liefde is a bizarre, over the top and at times hilarious settling of scores with the Catholic Church, commercial movie culture and 1970's petit bourgeois Dutch culture in general.

Tim, now a respectable family man, runs into his old buddy Bodde. Bodde convinces Tim to go out with him under the motto: "Laugh, laugh, laugh!" Tim calls his wife to tell her "he'll be a little late," while Bodde keeps persuading him to stay with him for a new deal or a wonderful plan, and so they roam the country. Along the way, they swindle money from everyone and meet the young, beautiful Aafke. Isn't Tim too old for all this?

The actual life and the fiction created by a successful pulp author begin to blend together.

The film tells the story of six mental cases, trying to get rid of society's norms and values by kidnapping Gerard van Dongen, a well-known TV host. During an improvised TV show, the terrorists confront this Van Dongen with their darkest thoughts and emotions, resulting in violent excesses and extreme sexual behavior.

Has is a strange kid: at school he's a nice student but at home he's dominating his parents... .

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A man is under the illusion he is a wanted war criminal.

Artist Joris Hansma is financially broke. He wants to end it, but even that seems impossible. His girlfriend Maria also feels miserable enough to commit suicide. They plan to drive a car on an unguarded level crossing to be crushed by a train. An anything but depressing image of a couple who want to commit suicide.

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