
Ahmed Bedjaoui
Directing
Biography
Ahmed Bedjaoui (in arabic : أحمد بجاوي), born in 1943 in Sebdou in Algeria, is a journalist, host, director, writer and an emblematic figure, the “Mister” of Algerian cinema. He hosted the famous Télé Ciné Club from 1969 to 1989. With his particular tone, but above all content, he introduced Algerians to the classics of cinema. He knew, with pedagogy, and the guests he invited to the set, how to dissect a film. We could see, with relish, the works of Alfred Hitchcock, Ingmar Bergman, Salah Abou Seif, and, of course, Algerian films. Ahmed Bedjaoui has had a solid career in the press, cinema and television. Graduated from IDHEC in 1966, and held a P.H.D. since 1983. in American literature with a thesis on Scott Fitzgerald and Hollywood. A freelance journalist in the written press since 1966, in charge, among other things, of the cinema, television and radio sections, he was successively from 1969, producer and presenter of programs on cinema on Algerian Television, programmer and head of archives at the Algerian Cinematheque from 1966 to 1971, and advisor to the general director of the Algerian Cinema Office (ONCIC) from 1971 to 1977. It was on this date that he was appointed Director of the film production department at Radio-Television Algerian, completing more than 70 feature films. Vice-president of the National Audiovisual Council from 1987 to 1991, he was also advisor for communications to the Algerian Prime Minister. After working as a consultant for the European Commission, since 1993 he has been director of the REMFOC network, an organization dedicated to the development of North African journalists. Advisor for cinema to the Algerian Minister of Communication in 2000, he was appointed Deputy Commissioner General for the Year of Algeria in France in 2003. He was commissioner of the Algerian film week, at the Maison des Cultures du Monde of Berlin. Laureate of the "Institut des Hautes Etudes Cinematographics" (IDHEC - Paris) and holder of a Doctorate in American literature, Ahmed BEDJAOUI is artistic director of the Algiers committed film festival and President of the Algerian Cinema Aid Fund. He is a university professor at the faculty of communication at Algiers University. Ahmed Bedjaoui is the author of five works: "Images and faces", "Cinema and war of liberation, battles of images", "Arab literature and cinemas", "The Algerian War in world cinema", " Cinema in its golden age” and “The Saga of the creation of the Algerian cinema library (1965-1969)”. In France in 2016, he received the title of Officer of Arts and Letters. In 2015, UNESCO awarded him the Féderico Fellini Medal for services to film culture around the world. In 2019, he is President of the Feature Film Jury at the 26th FESPACO, Ouaga, Burkina Faso.
Known For

No description available.
Télé Ciné Club

The story of the film revolves around the epic of Sheikh Bouamama, a leader of the national resistance in Algeria during the French colonial era. The events are taking place in southwestern Algeria. The film also tells about different stages of the resistance, especially about one of the uprisings of the Algerian people, namely "the battle of the sons of Sidi Sheikh Bouamama", in which French General Leuti was appointed to try to suppress and end this resistance.
The Epic of Cheikh Bouamama

The film recounts in three parts by three different directors the Algerian people's struggle for independence after 130 years of French colonization: Ahmed Bedjaoui "Les Fedayines," Rabah Laradji "La Bombe," Sid Ali Mazif "Le Messager."
Stories of the Revolution

Two travelers, Boualem and Sekfali, cross the hostile and endless desert. Boualem pulls a cart on which old books, pictures, relics and memories of Sekfali are piled up. Two men, two attitudes towards life, two visions of the world. Where do they come from, where are they going? The journey would be completely calm and happy if each of them were not inhabited by their pasts, determining their different visions of the future. Boualem's childhood was marked by the Algerian war of liberation. His dream is to achieve a socialist society, which is for him the only path to salvation. Sekfali, who tries to dissuade Boualem from continuing the journey, has the attitude of an aristocrat. For him, socialism is a heresy and people do not like responsibility, they only act if a leader gives them the injunction.
Boualem Zid El Goudam

The young Amar, father of two children, lives on expedients and looks in vain for a job in Algiers. He decides to emigrate to France, and finds a job there, but quickly loses it after a roundup and custody for several days. Led by two shady Europeans he met in a café, he embarks with other unemployed people for well-paid work on the plantations of Madagascar. The boat that takes them finally docks in Algiers! This film had disappeared for almost fifty years. Ahmed Bedjaoui mourned it until the Berlin Cinematheque found the only copy of this work in its archives, restored it, subtitled it and screened it at the opening of its festival in 2015. The film was thrilled the large audience present, made up of professionals and knowledgeable film buffs. Due to the modesty of its self-produced means, but also by aesthetic choice, the film oscillates between neo-realist cinema and cinema vérité.