S.N. Tripathi

Haridwar-based Neelkanth Pandey and Shambhu Nath get their children, Bhagwantiprasad and Parvati respectively, married. Whille Shambhu re-locates to live in Bombay, Neelkanth continues to reside in the same residence. Years later both children have grown up, so Neelkanth invites the Naths to finalize the nuptials. Very soon the Pandeys will face humiliation and ridicule at the hands of Parvati, who now calls herself Pamela, and Shambhu, who wants his daughter to marry someone sophisticated and wealthy, while Parvati is in love with a singer named Rocky. Bhagwanti is determined to fulfill his parents' wishes and decides to stay wed to Parvati, re-locates to Bombay, to try and woo her back - with results that will end up changing his life forever.

Shunned by his family, a male endangers his life after he finds hidden treasure belonging to 40 thieves.

Shri Krishna Leela is a 1971 Hindi religious film directed by Homi Wadia. It was produced by his Basant Pictures banner. Written by B. M. Vyas, the story and dialogue were by S. N. Tripathi.

A princess attempts to win back her kingdom from a powerful shape-shifting sorcerer.

The film is based on an incredible true story about a village woman who gets lost at a railway station and waits fourteen years for her husband to come.

Bidesiya is a Bhojpuri film based on the play of same name written by Bhikhari Thakur.

Lata, daughter of a dancing girl, is brought up by social worker Mathuradas and is engaged to marry the rich Ranjit when the villain Chand arrives to blackmail her with her undisclosed ancestry. Lata is forced to disclose the truth to Ranjit and the assembled wedding guests. Ranjit disowns her but they are reunited when Ranjit, blinded by an explosion, is nursed back to health by a devoted woman who turns out to be his wife.

A fictional account of the real life struggle against the British East India Company.

1955 bollywood film

Ramayani is a 1945 Hindi mythological film directed by Sarvottam Badami for Purnima Productions. The music direction was by S. N. Tripathi with lyrics written by Bekal Several films were made in that era based on the Ramayana. Vijay Bhatt made his famous Ram Rajya (1943), and Purnima Productions made their version of the epic, titling it Ramayani The film starred Pahari Sanyal, Nargis, Chandra Mohan, Rose, Kanhaiyalal and Amirbai Karnataki [Wikipedia]

Deedar is a movie directed by Jugal Kishore featuring Anjana, Premendra.

Madhu and Bihari, two children from contrasting social backgrounds develops a deep friendship despite societal class divisions. Their innocent bond faces challenges and disapproval from elders as it evolves into love. Can their bond survive the harsh judgments of a class-conscious world and the trials of growing up?

1956 bollywood film

The film follows the adventures of Aladdin and his finding a magical lamp which helps him in attaining the love of Princess Badar.

Historical drama set during the time of Emperor Akbar

The film is about Hatim Tai (Hatim of Tayy), a merchant and poet who was known for his charity and kindness. In this Arabian Nights style fantasy Hatim Tai, referred to as Shehzada (Prince) from Yemen, undertakes a perilous journey in order to save a young fairy turned to stone. He can do this by answering seven questions posed to him on the way.

The story of Piya Milan Ki Aas revolves around a woman who gets separated from her mother while attempting to escape from their cruel landlord. She is saved by a boatman and eventually they fall in love. Their relationship gets in trouble when the same landlord returns in their lives and plans to separate them to exact his revenge.

A king's second wife plots against her stepson Dhruv, the rightful heir of the throne, in an attempt to make her own son the king.

Kali is an uppercaste but naive and dim-witted Brahman and lives with his stepmother and her son. He has fallen in love with Pushpavali who is of a low caste. Kali's mother frowns on this and on the next small pretext throws him out of the house.

The eternal saga unfolds as Goddess Lakshmi and Lord Narayan descend to Earth in various avatars to restore cosmic balance, illustrating that true wealth is found not in gold, but in righteous action and devotion.