Majdi El-Omari

Haunted by her mother’s death and recurring attacks by Israeli forces on her city, a young girl becomes obsessed with death. To distract her, her father makes a stop-motion film. However, his attempts fail and the girl finds nothing other than imagination to escape from reality.

A Mohawk war photographer and a Palestinian refugee attempt to overcome the inertia-inducing forces of culture and politics.

A young Palestinian in exile explores his connection to a land he wasn’t born in, influenced by his father’s language and his grandmother’s stories from Gaza. He meets Nu’ma, who introduces him to Om-Mazen, another exile in Egypt. Om-Mazen, filled with questions and roots, shares stories and melodies with the young man, who listens as she reminisces about her childhood. The girls around them describe the bond between Om-Mazen and the young man, each with their own stories and connections to places like Nablus and Beirut. Their characters, along with Om-Mazen, the young man, and the melody, become intertwined, with the wind always present, causing the branch to quiver.

Salma and Pierre live in a suburb of Montreal. The morning progresses in habitual movements and routines which speak of a life moving along seemingly harmonious patterns. Pierre brings in the mail. Salma has received a letter from Palestine, the homeland she left 20 years ago and from which she has not received any news for the past 15 years.

Two young people try to record music inside the camp for a competition. If they succeed, they have the chance to make a music album. Because of the chaos and problems in the camp, things go wrong at first. Finally, the two come up with the idea of recording the sounds of the camp instead — and turning them into music…