Wolfram Kunkel

A team of inspectors investigates murders in and around the small Upper Bavarian town of Rosenheim, and they still have plenty of time to see idyllic landscapes and luxurious pre-alpine villas and enjoy sumptuous Bavarian fare with beer.

A show about two Bavarian police officers, Franz Hubert and Johannes Staller, who sometimes work a bit differently. Where Franz wants to follow regulations, Johannes likes to do things his own way.

Chief Inspector Schaller and his team solve the most unusual cases in beautiful Munich with wit and charm.

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"Löwengrube – Die Grandauers und ihre Zeit" is a German television series first aired between 1989 and 1992, created by Willy Purucker and directed by Rainer Wolffhardt. It is set in Munich and follows the lives of Ludwig Grandauer and his son Karl, both policemen, covering the years from 1897 to 1954. The TV show is based on Purucker's radio play series Die Grandauers und ihre Zeit (‘The Grandauers and their time’). The series’ main title "Löwengrube", meaning ‘Lions’ Den’, refers to the address of the Munich Police Headquarters inaugurated in 1913.

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Eva, ganz mein Fall is a German legal comedy-drama series which aired on the ZDF network from 2002 to 2005. The series was produced by Rita Nasser and directed by Stefan Bartmann. The series stars Lara Joy Koerner in the title role as a young lawyer working in the fictional Munich Hardenberg and Hardenberg, with other young lawyers whose lives and loves were eccentric, humorous and dramatic.

Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972.

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A small Bavarian village is renowned for its "Ruby Glass" glass blowing works. When the foreman of the works dies suddenly without revealing the secret of the Ruby Glass, the town slides into a deep depression, and the owner of the glassworks becomes obssessed with the lost secret.

ROLAND REBER’S CABARET OF DEATH paints a multi-layered picture of existence and puts the taboo subject of death back in line into the circle of life. In various storylines a ruined relationship crosses paths with an old man begging for euthanasia, a live show featuring candidates who are mercilessly sacrificed to the audience, a dancer who cannot escape ageing despite her self-optimization and the one with the mask who craves to be famous at all costs. And between all this, a corpse driver rolls his “clients” through a long corridor and shares his very personal and unaffected thoughts about life and dea

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The 1930s in a Bavarian border village. The rich farmer Kapeller does not want to allow his son Franz to marry Lori, the daughter of the "needy" farmer Nikodemus Sterntaler. This is when Sterntaler's father-in-law Wendelin Kloiber, a hallodri and self-proclaimed do-gooder, appears on the scene. He cleverly takes advantage of the fact that the housekeeper Cordula and the Seeleitner, a square rat of the highest order, cannot keep their mouths shut.