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Caitlin Moran

Writing

Known For

Raised by Wolves
8.0

Set on a Wolverhampton council estate, Raised By Wolves is modern day reimagining of the childhood of Caitlin Moran and her brothers and sisters. Single-mum Della lives in a three bedroom council house with Germaine, Aretha, Yoko, Mariah, Wyatt and baby Cher. She is attempting to raise the children by herself, but does have visits from Grampy, who likes to come around to dispense his wisdom to his grandchildren.

Raised by Wolves

2015
How to Build a Girl
5.7

The journey of Midlands teenager Johanna Morrigan, who reinvents herself as Dolly Wilde: fast-talking, lady sex-adventurer, moves to London, and gets a job as music critic in the hope of saving her poverty stricken family in Wolverhampton. Based on Caitlin Moran's bestselling semi-autobiographical novel.

How to Build a Girl

2020
imagine… Russell T Davies: The Doctor and Me
10.0

imagine... follows celebrated British TV writer Russell T Davies as he prepares to return as the showrunner of Doctor Who – with two Doctors and bigger ambitions.

imagine… Russell T Davies: The Doctor and Me

2023
Letters Live from the Archive: International Women’s Day
8.0

Celebrate International Women’s Day with this brand new inspiring film from LETTERS LIVE. In “LETTERS LIVE from the Archive: International Women’s Day”, remarkable letters are read by a diverse array of outstanding luminaries, including stunning performances from Olivia Colman, Gillian Anderson, Daisy Ridley, Caitlin Moran, Rose McGowan, Adwoa Aboah, Louise Brealey and more. Plus music from Roxanne Tataei.

Letters Live from the Archive: International Women’s Day

2021
David Baddiel: Social Media, Anger and Us
7.0

This is a thoughtful and mature documentary that considers whether online rage has real-world consequences. Baddiel has experienced antisemitic abuse on Twitter, where he has 785,000 followers. He has had brushes with what is called “cancel culture” and “callout culture”, when users have criticised his use of blackface on TV in the 1990s, for which he has apologised. He is also a self-confessed social media addict – by which he really means Twitter, his primary focus here – and self-aware enough to admit that while he feels he needs it to promote his work, he also understands that he has a psychological need for an audience, and by extension, for audience approval.

David Baddiel: Social Media, Anger and Us

2021