Directing
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Segment "PrĂłlogo": interviews and scenes with some of the most important filmmakers of the "Boca do Lixo" of SĂŁo Paulo. Segment "A BadaladĂssima dos TrĂłpicos x Os Picaretas do Sexo": shenanigans of a troubled fictional film production. Segment "Amor 69": Actress Maria Vargas is expected to appear nude in a scene, but ultimately refuses to do so.
Transposition of the myth of Faust to modern Brazil. The heir to a bankrupt cigarette factory, amidst a personal crisis, leaves everything behind and heads for a supposed paradise he has seen in a tourist agency, where he believes he could find self-knowledge. In his search, he is inspired by a Mephisto-like character.
A homage to poet Sousandrade.
The demolition of an old house makes way for the modern city.
"Before I Forget" is a short film by Jairo Ferreira. It was filmed in 1977, during the release of the book of the same name of Roberto Bicelli. The poet is part, along with Cláudio Willer and Roberto Piva, of the surrealist group of São Paulo. Also participating in the short Jorge Mautner and Nelson Jacobina.
A psychiatrist experiments on four volunteers with LSD to examine '60s drug culture, soon unleashing an expert in depravity.
Wannabe gangster Miguel Metralha becomes editor of a fading pornographic magazine that faces difficulties with the savage competition of similar imported magazines. His fresh ideas reshape the magazine as a whole, which is good for business, but upset the magazine's owner, a rich and powerful woman.
Doralice is a simple minded woman romantically fascinated by marriage. However, when she is raped by a butcher, a friend advises her to become a prostitute - and she does it. After that, all her wishes and longings will curl up into a fascinating vortex.
Two groups of men fighting to conquer an automobile race bowl.
A film about Maurice Legeard who run a cineclub in Santos.
A travelogue film using Pound's concept of invention as a starting point.
As filmmaker Jairo Ferreira shoots his life and friends in Super 8mm he also becomes the vampire of the Cinemateca Brasileira in São Paulo. In O VAMPIRO DA CINEMATECA Ferreira develops a poetic representation of his idea of “inventive cinema” without a plot in the classical sense. Ferreira mixes situations of everyday life in the streets of São Paulo with scenes from classics of film history, which he filmed from television or from a projection with his Super 8 camera. The author as a vampire sucks from various sources – not only in cinema, but also in poetry and music – and creates a portrait of his time.
One of the first Brazilian movies to conjecture about contraculture and its reflexes on the behaviour of a generation. A tribute to the late poet and friend Orlando Parolini.
Symbolic film from the Underground Movement of Brazilian Cinema (Cinema Marginal) about a woman, three men and some apes. In the director's own words: “a fable where realism and logic have no place, and in which sex is a translation of all the tortures, circumstances and violent actions.”
An unusual look at 1978 Brasilia Film Festival and the politics that make certain films fashionable or not.
50 years of Brazilian history seen from the point of view of a friendship among two intellectuals.
Two factory workers from the outskirts of SĂŁo Paulo make a trip to a bathhouse close to the city.
