
Levent İnanır
Acting
Known For

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Üvey Baba

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Kuzey Rüzgarı

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Marziye

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Kod Adı
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İlişkiler

Because of a local blood feud, a peasant family decides to sell its sheep - a most precious commodity - in far away Ankara. During their long train ride, bribes must be paid to petty officials, sheep are stolen or die in the packed, airless wagons, and the sick wife of one of the family's sons becomes deathly ill.
The Herd

The tragicomic story of a man marrying the wrong girl.
Baldız

Taxi driver Mehmet and shop attendant Sibel is preparing for marriage. The taxi's owner is the father of İbrahim, Mehmet's close friend who is secretly in love with Sibel. After his father passes away, he starts living a rich life from his fathers heritage. A love triangle begins to fold between Mehmet, İbrahim and Sibel.
Taxi Driver

After Murat is released from prison, he will do illegal deeds to help street kids.
The Man Without Tomorrow

The story of a guard who revolts because of exploiting reeve and tradespeople. People start to think he has an uncle working in the ministry of the interior.
King of The Guards

Meral is a divorced mother living with her six-year-old daughter Elif. One day, Elif disappears. Despite all efforts to search for her, she in not found. Meral’s former husband and lawyer Turgay take part in the search. During their investigation, Meral and Turgay become clo ser. A love relationship starts between these two loners.
Blind Man's Bluff
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Savcı

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Yaşar Ne Yaşar Ne Yaşamaz

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Memur Muzaffer

Story of a poor young boy, turning into organised crime to get away from the suffering of his past.
Kan

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Acı Günler

A triptych of literary adaptations explores past, present and future in rural Turkey. “Düne Özlem” (from Hulki Aktunç’s Bir Yergöstericinin Hayatı): A once-famed traveling critic returns after years to the cinema that launched his career—and finds it unrecognizably transformed. “Bugüne Özlem” (from Kemal Tahir’s Arabacı): A horse-drawn cart driver picks up two stranger women en route to a village—unaware they intend to marry him off to their spinster relative. “Yarına Özlem” (from Zeyyat Selimoğlu’s Bıldırcınlar): An old captain haunted by a fatal shipwreck readies quail-hunting with his grandson, even as his daughter-in-law waits in vain for her migrant husband to return from Germany. Each segment poignantly probes longing— for what was, what is, and what might yet come.
Özlem: Düne, Bugüne, Yarına...

Hüseyin, the richest and most promiscuous man in town and owner of a white goods store, introduces new items to the townspeople when he brings new items to town, such as under-the-counter air conditioners and double-door refrigerators. One day, Hüseyin crosses paths with two Russian girls (Cicişler). He brings the Cicişler to the town dressed in sheets.
Şipşak Anadolu

The film tells the story of Ahmet's struggle to build a bridge in his village after losing his mother in the Euphrates River. Ahmet's mother drowns in the Euphrates River while being taken to give birth. Left orphaned, Ahmet is raised by Hasan, a ferryman who acts as a father figure to him. After finishing school and becoming an engineer, Ahmet returns to his village. His return brings joy to Hasan, his friend Osman, and his beloved Zeynep. However, Ahmet's desire to build a bridge over the river will cast a shadow over this happiness.
Köprü

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