Ahmad Addas

AlDaghari is a Syrian social comedy series, based on the story of Turkish writer Aziz Nesin, produced by Syrian Arab Television in 1992, directed by Haitham Haqqi. It tells the story of a fraudulent person who exploits the gullibility of the villagers.

Saber Effendi works as a tailor for men, but his major problem is that he suffers from a great depression because of his lack of fashion and refuses to develop his ideas about fashion until his wife, Huda, who works in a Syrian magazine interested in fashion, suggests that he change his activity to become a tailor for women rather than men. Implementation plan.

Adel lives happily with his wife until he meets his ex-girlfriend, who works as a dancer. During her visit to his home, she faints and then he discovers that she has died. Adel is arrested and his wife is shocked, while his friend the police officer tries to find out the real killer.

Set in Syria in the early 1900s. A peasant has his land taken from him by the authorities. He gets imprisoned and beaten by the gendarme, but manages to escape to the mountains where starts a bloody struggle for revolution.

The film follows three Palestinian refugees brought together by dispossession and hope for a better future. Hiding in the tank of a truck, the men attempt to make their way across the border into Kuwait, the "promised land."

The events of the series revolve around Bahloul (Issam Suleiman), a man who constantly relies on others rather than on himself. Circumstances force him to leave his village and move to another. After arriving in this new village, the residents believe that Bahloul is a very brave and powerful man. The villagers are overjoyed at his arrival, hoping he will save them from the wolf that attacks the village and threatens the lives of its people and their livestock.

Mona and her friend Suheir travel to Syria to meet her fiancé. Mona's father requests the son of his friend Kamal residing in Syria to take care of his daughter Mona there, so he goes to her to meet and care for her so he gets to know Suhair and admire her. On the other side, events escalate as Salwa (to his heart), a client of a foreign country, tries to win over Dr. Khairat, the nuclear energy scientist, and tries to persuade him to go abroad again so that his country does not benefit from his knowledge.

Unable to afford the dowry of his wealthy sweetheart, a young man is devastated when his beloved's father forces her to marry another, leaving him to convince his scientist brother to use his knowledge to shrink him. As he becomes pint-sized, he turns the life of his beloved's husband into hell.

A mamluk called Gaber, in order to take advantage of the rift between the Caliph of Baghdad and the prince he works for, volunteers to be a messenger for the prince. He also takes it as a chance to see his beloved Zomorod. Gaber suggests the prince write the message on his bald head, but when his hair grows the message disappears.

At the early fifties in Syria, a man meets Salama, Mustafa, Hussein, and Youssef, all of whom oppose the dictatorial authority, when he is thrown into a political prison due to a misunderstanding, after which he finds himself in a place other than what he imagined, living in a difficult intellectual struggle.

Nawal is involved in a boating accident near an island at sea. She wakes up to find herself in the care of two brothers, Ghassan and Adel. They soon discover that she has lost her memory, and both of them fall in love with her, each trying to get closer to her. Nawal eventually falls for Ghassan. When Adel consults a doctor to understand her condition, the doctor informs him that if she regains her memory, she will no longer recognize either of them. Despite this, Adel continues to search for clues about her past and eventually discovers that she has a sister in Egypt who closely resembles her.

The events take place between Iraq, Syria, and Lebanon. Chases and searches occur between the police and smugglers, where a group of villains stole the head of King Santrouk II, who held a significant position in history.