Acting
Olga brings up two children from different marriages, cares about her alcoholic father and tries to adjust her personal life. The eldest daughter Anya is studying in a vocational school, she thinks that she is the only adequate member of the family, and in her life everything will be different. The younger son Timofey, whose father returned to the first family in Azerbaijan, believes that he is already a man, although he is only 11 years old. Olga's father, Yuri Gennadievich, a former football player, drinks hard and constantly lies, which often leads to scrape. And sister Lena is trying to live at the expense of men - mostly married. Eternally saving relatives from troubles, Olga lives a strange life and rarely thinks of herself until Grisha, a young and positive driver of the “Sable” hearse, falls in love with her.
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There are two of them: a mother and a girl. They have no names. And they are in a constant run. The mother runs away from the daughter in an attempt to start new life, and the girl runs after her mother as she has no idea how to live without her. This endless run is full with repeated mistakes and resembles a barrel-organ sorrowful song or a spinning-top rotation. This small ridiculous toy "volchok" was the first toy in the girl's life, the only thing that tied her with the mother.
What will happen if the processes that are currently taking place in Belarus and with Belarusians do not stop and reach the point of absurdity? The processes of social disunity, the habit of everyday fear in some, and the impunity of others. The processes of internal migration and reinforcement of self-censorship, the reign of nonsense and meaninglessness. The process of destruction and simultaneous revival of the Belarusian language and culture. The processes of denigration of human dignity and creation of those guilty without the proof of their guilt. Processes of inflating militaristic sentiments and hatred of foreigners and dissenters. The process of Russia’s taking over Belarus and dragging it into a senseless war.
In Yekaterinburg over the Christmas period, shop assistant Lenka Shabadinova experiences a number of incredible events and unexpected meetings.
At the age of 40, the owner of the cabaret Igor understands that women and alcohol no longer bring joy. He is lonely and broken. His teenage son, Petya, has not spoken to him for a year. Igor tries to restore relations, but gets a hard refusal. To find out what is happening in his son's life and what is the reason for such a deep resentment, Igor sends an 18-year-old spy Lera to him. Lera works at Igor's cabaret as a waitress and is secretly in love with the chef, so she can't refuse him. By chance, both Lerin's best friend Danya and a young dancer Masha are involved in a spy operation. Igor does not yet know that these other people's children will become a real school of life and fatherhood for him. And the children still do not know how fateful this experience of "cooperation" with Igor will be.
Director Mitya escapes from the set of the next television series. In this he is helped by the ghost of Marcello Mastroianni. The decision to escape launches a chain of events with the participation of Mitya's family and friends, which can only be unraveled by the answer to the question of what kind of director he wants to be: great, talented, or just normal.
Zoya works in a store. She gets a call from her distant son, but hears only gunshots, screams, and explosions. Zoya starts searching for her son, who may have died in the war, but everyone convinces her that there is no war.
Hoping to change her life, Marina, a small town girl, embarks on a journey to a life coaching event. But an unexpected delay at a St. Petersburg airport sends her on a 24 hour comedic spree, which may ultimately provide her with the key to her happiness.
This is a collection of portraits: 23 short stories about the Mari women, a sort of Decameron suspended between magic and realism, in which the Autonomous Republic of the Marij El serves as a backdrop for the collective history of a people of ancient tradition. A journey into a mysterious and unknown part of the world.
Videotape is based on the poem by Paul Eluard.
Nadya and Valya, young women on the verge of a nervous breakdown, without faith and hope for the best, sisters, of whom, ironically, there are only two left. Will they be able to break out of their "Chekhovian" stupor and again begin to feel, breathe, live and love?
A zombie apocalypse can happen tomorrow. But now there is a place where it is possible to escape.
Fate brings ordeals to characters that find themselves immersed in deep crisis; they must seek the strength to cope with adversity. In a remote and cold region of Russia, Galya, a middle-aged woman with a drinking problem, has been separated from her twin daughters and she wants them back. On the other hand, Grishka and Anton are a young couple who decide to get married, but right after the wedding their relationship is put to the test in a brutal way. Artyom longs to see his missing father, but his mother objects. There is only one element that brings all of these characters together: misfortune.
A storry about a friendship between two very different women.
After the death of Anya's lover she has no reason to live. Suddenly she comes across a rooster who is a spitting image of her late lover. She decides to build a proper romantic relationship with this rooster in spite of that everything and everyone are against it.
By My Side is a poetic meditation on our inability to notice the most important thing in live: love. It is an exploration of our tendency to hide from love and bar it from our lives; to unknowingly push it away, bewildered by our own feelings, even when it appears in the guise of a regular, flesh-and- blood woman. And yet, it always comes back...
Musical movie almanac of stories about the events of the past year, holiday miracles, new hopes, creativity and love.
The grand constant flow of life
