Celia Diane

Darius and his teams of atypical agents, the young and wealthy Duchesse, the experienced Marie-Jo and the former boxer Ben constitute the "Invisible" Brigade, a police taskforce specialized in cases with unidentified bodies. Every investigation is a race against the clock to discover not only what happened to the victims but mostly who they are.

Following a huge misunderstanding, two friends always decide to tackle everything to make up for lost time.

Intimate portrait of Abel Ferrara: the result is an eccentric road movie, with the restless film maker as a charming, shabby guide around New York by night.

Trapped by daily routine, a man experiences complete freedom by dreaming himself across the country in a psychedelic Volkswagen with the guiding words of philosopher Alan Watts.

2029. Paris. Reading is forbidden by law. The internet has been censured. On the main floor, a man is arrested. In the basement, life continues: learning books. Freedom persists.

When a fortuneteller predicted Lisa's death on August 15 in midst of fear and violence, she shrugged. Yet, this morning, as the sun rises over a deserted and heat-scorched city, the police is desperate. The killer of three women will strike again by midnight. Suddenly Lisa feels less serene. Especially since she is sure, a man has broken into the empty building. August 15th will be a very hot day….

Preston is an indecisive film school lecturer who dreams of being a great film director like the European directors whose work he teaches - Bergman, Fellini, Truffaut, Antonioni, Godard and Buñuel. One day his wife leaves him, telling him that she believes he will never be anything more than a teacher. Depressed, Preston is visited by the ghost of Ingmar Bergman who tells him to use his misery as the material for a great film just as he did in his 'Scenes from a Marriage'. Taking Bergman's advice, Preston decides to make a film, in an attempt to prove his wife wrong and in the hope of winning her back. Using the facilities of the school and the students as his crew, Preston shoots his film but soon finds that he is visited by the ghosts of series of famous, dead European directors who offer him advice on how to improve his film. Following their wise but disparate counsel his film goes wildly out of control and becomes a huge, sprawling, incoherent mess.