Acting
Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.
Seven Color Mask (七色仮面, Nanairo Kamen) is the name and title character of a tokusatsu TV series, later called New Seven Color Mask (新七色仮面, Shin Nanairo Kamen). It was created by Kōhan Kawauchi, who also created Moonlight Mask. This B&W TV show was the first superhero TV series by Toei Company Ltd. It was broadcast on NET (now TV Asahi) from June 3, 1959 to June 30, 1960, with a total of 57 episodes divided into 7 segments. Aside from being Toei's first TV superhero show, this series was also the debut of actor Sonny Chiba, who was 19 at the time, who took over the title role from Susumu Namijima after Episode 32.
After discovering a slaughtered corpse, the investigating team of the Tokyo Metropolitan Police Department began canvassing the area around the crime scene. As a result, they found a wallet with bloodstains that seemed to belong to the victim, a woman's wallet that did not fit the field, earrings, and other valuable materials, which led them on a foot search. The woman's purse had been picked up by a male prostitute on the subway, and from the prostitute's testimony, they were able to identify the pickpocket's face, but the next day, the man was found dead in a road accident, apparently murdered.
Three humorous love stories set in rural Japan.
Tadashi Imai 1946 movie
A film by Kiyoshi Saeki
Detective Tarao investigates the deaths of police officers who were involved in solving a kidnapping case.
A film dealing with the comings and goings of individuals in the immediate postwar period.
A sad love story between young Umihiko Kojima and a beautiful girl named Yukiko Shino.
Hide-chan (Hideko Takamine) and her family are on a trip to Tokyo. While visiting a fairground, a pickpocket (Kamatari Furukawa) steals the father's wallet. While everyone is trying to hunt down the thief, Hide-chan decides to make the most of it and enjoy her stay, while the thief and his main pursuer (Akira Kishii) play hide-and-seek among the funfair's spectacles and freakshows
The premature death of a young mother serves as inspiration for her husband and son.
No description available.
One of the earliest Japanese cop films following a mysterious killing on the last train to Mitaka, Tokyo.
This epic depicts the battle between Uesugi Kenshin and Takeda Shingen. The focus of the story is the struggle by the unit leader in charge of the main supply wagons and the supply troops to transport materiel to the Uesugi army. To this are added episodes involving an itinerant woman.
Based on a 1956 television feature on Japan’s national network, NHK, this is one of Uchida’s rarest films. A socially conscious drama with a contemporary backdrop, Dotanba focuses on the attempts to rescue a group of trapped miners. The title is a figure of speech — (essentially “last minute” or “eleventh hour”) — that refers to a situation of peril. The film boasts a script co-written by Uchida and Akira Kurosawa’s frequent screenwriter, Shinobu Hashimoto, and stars Kurosawa’s frequent star Takashi Shimura.
Shot mostly in Tokyo, this comedy depicts two Chinese tourists who have travelled from their country to Japan in order to experience the latter country.
Jidai-geki about the life of Yasubei Nakayama, a famous ronin who did participate in the revenge against Lord Kira Yoshinaka as detailed in Japan's famous epic Chushingura
Set in Qingdao, China, a Japanese company locates an office there and begins work and cooperation with a local Chinese company for business. Many Japanese engineers also move to China, with their families, for the company in order to construct a canal. There are young Chinese resisting the Japanese in this area.
Story of a bandit king.
Song of the White Orchid was a co-production of Toho and Mantetsu, the railway that served the colonial region of Manchuria, and the first film in the Kazuo Hasegawa/Shirley Yamaguchi (Ri Koran) “Continental Trilogy.” Handsome Hasegawa (representing Japan) runs up against an impertinent Yamaguchi (representing the continent); not surprisingly, in the course of the film the woman comes around and realizes the benevolent intentions of the Japanese. In Song of the White Orchid Yamaguchi leaves Hasegawa, who plays an expatriate working for the railway, because of a misunderstanding. She joins a communist guerilla group plotting to blow up the Manchurian railway. Learning of the subterfuge that led to the misunderstanding, she renews her faith in Hasegawa—and by extension Japan—and tries to undermine the plot.
