Adina Mandlová

Simon Templar is The Saint, a handsome, sophisticated, debonair, modern-day Robin Hood who recovers ill-gotten wealth and redistributes it to those in need.

A writer of pulp crime novels is drawn into a series of real crimes. This film was one of the first Czech attempts on a genre parody.

Filmed during the Nazi occupation, this panoramic drama set in a Prague department store follows the divergent destinies of four female coworkers, each of whom seeks happiness in a different way.

Marta Dekasová works as a governess in a garrison town. The beautiful girl is the center of attention of many men, but she only desires Lieutenant Varga, who is married and rejects her. Desperate, Marta throws herself into the arms of the most intrusive of her suitors, and is then dismissed in disgrace. She goes to Prague to live with her friend Kiki, becomes a bar singer, and continues her journey down the sloping surface. Hope for a new life dawns on her when a young student falls in love with her, but just then Varga appears in the bar and rekindles her unquenched feelings...

The main character of the funny story is an ordinary typist Julinka Svobodová, who works for the established business firm Hrubý a syn and lives in a sublet with the seamstress Mrs. Pokorná. Although she is poor and sometimes manages to be late, she is still cheerful and pleasant. However, a small coincidence is enough and everything changes. That is when she takes an elevator ride with the Minister of Trade, Dr. Horák, who coincidentally lives in the same building. Mrs. Pokorná, in good faith, hints to the inquisitive landlady that Julinka is the Minister's girlfriend. From the talkative woman, an innocent rumor spreads like wildfire and, surprisingly, it helps the girl in every way...

One of the few European films of the 30s to criticize the Nazis, even if they couldn't be directly named due to censorship: Gangsters with gray hats stir up trouble in what is obviously the Sudetenland.

It all begins when Zuzanka, the new young owner, arrives at the dilapidated Blue Star Hotel. Determined to put the declining inheritance back on its feet, she starts chasing three young men, including the composer Jirka, who, dressed in a waiter's tailcoat, is to work off his debt to the new owner. Like his two friends, Jirka succumbs to the charms of his new boss and, with some confidence, hopes that he is the one who has the best chance of becoming her chosen one. At that moment, however, a guest arrives, intent on carrying out the family tradition and throwing an engagement party at the Blue Star Hotel, regardless of his condition. This, however, is not to the liking of his wilful fiancée. Fortunately, there is the sympathetic Zuzanka, who charms the unusual guest so much that he resolutely breaks off his engagement to the rich girl and prefers to marry the cute hotelier.

Emanuel Pokorný, a bachelor, is to join a rural church school as a professor. Before leaving, however, he finds an infant abandoned in his room. Since he has no time to search for the child's parents, he secretly takes the child to the boarding house. And from that moment on, there is no end to his travails...

Alois Novák (Oldrich Nový), a minor clerk in a travel agency and the husband of a dowdy housewife Marenka (Natasa Gollová), lives a run-of-the-mill, dull life. In his soul, however, there resides an inextinguishable desire for adventure. And so once a month he poses as a playboy. As the mysterious and wealthy Mr. Kristian he goes to the exclusive Orient Bar where he does not skimp on generous tips and where he platonic-ally seduces beautiful and elegant women. In the salon he speaks of love and the magnificence of exotic lands, which he has supposedly come to know on his wanderings abroad. In reality he has read all of this in the travel agency's brochures.

Hospital orderly Rozruch, denied his therapeutic treatment, is mistaken for Dr. Marek at the insurance office and sent to a spa. Councilor Pěna, plotting to wed his mistress after his daughter Heda’s marriage, also arrives. At the spa, impostures collide, identities are exposed, and hidden motives and loyalties come to light.

When Vilem appears in the road with an unconscious young woman, it disturbs the peaceful life of three generations of the Balvínova family.

A social comedy about a wealthy man in his prime, for whom marital infidelity is just a pleasant and regular sport. A young flower shop owner, to whom her husband seems to be generally ordinary and overworked, nevertheless manages to resist the advances of an experienced seducer.

Young music composer Viktor Honzl in vain looks for work. He is prevented from committing suicide by a technician of the gasworks who shortly beforehand has disconnected his gas due to past due bills. In the disguise of an older, serious, musical scholar Viktor obtains work in a music publishing house.

Eman Vovísek drinks away his unrequited love for Liduška, who married his cousin, the factory owner Danek. Because Eman is aggressive when drunk, he is taken to a mental health facility, where he meets his uncle Hanibal. Hanibal has a breakdown after his wife Matylda broke up with him. Matylda wanted to be free so she could marry her first love, Uncle Jonathan, who is due to arrive from America. Jonathan sends a telegram saying he will stay in Paris. Such a situation does not suit Danek. He assumed that Liduška would be visiting from America and that he himself would go to his mistress in the meantime. He therefore visits Vovísek and persuades him to play the role of Jonathan.

Kind and decent professor Artur Čejka is about to marry his fiancée Helena Frýdlová. On the eve of the wedding, he comes across the unfortunate actress Káťa Holanová on the riverbank, who has been unsuccessfully looking for an engagement for a long time and wants to take her own life out of desperation. Čejka prevents her from committing suicide and helps her. He meets the girl again on the train when he and Helena are going on their honeymoon...

No description available.

You will meet the family of the miller Kaliba, who is proud not only of his mill, but also of the family tradition, according to which the milling profession has been passed down at the inn's mill for almost three hundred years. And since Mr. Kaliba has no son, it is certain that his only daughter Liduška must marry a miller. Perhaps this would have happened if the Kalibas had not gone to the anniversary exhibition. Here, Liduška meets the handsome engineer Karel Loukota, who is an overly zealous member of the cycling club "Don't Get Married!", but is not immune to love at all. Of course, he will face many hardships and obstacles, the biggest of which is, of course, the miller Kaliba with his fierce efforts to uphold the family tradition...

A morally questionable lord comes to the aid of a working class man who is to be executed for speaking out about thieving rich scoundrels sticking it to the poor.

The title refers to the office of records in the basement of a large company... sort of the place where a troublesome employee may be dumped in a dead end job. If fact, the story is a simple romantic comedy, with Burian as the kindly old stick-in-the-mud who helps the young man to sort out his romance with the daughter of the company's owner.

No description available.