Ranjan Palit

An anthology of four short horror tales.

Susanna is hungry for love and will go to any extent to find it in its purest form. In her quest for the perfect man, she gets married a number of times as each of her husband's die mysteriously.

In a dusty Rajasthan village, two sisters, Badki and Chhutki, are constantly at each other's throats over trivial matters. Their father, a widower, struggles to keep them from tearing each other apart. Their meddling neighbour, Dipper, enjoys stirring up trouble between them. But when marriage takes them to different worlds, they discover how much they need each other.

Bharat ki Chhap chronicles the history of science in India, from the Stone Age to independent India and the present.

Spanning across 90 years, follow a middle-class Muslim family across three generations. 2042. Six months after his manuscript titled Tees (30) is rejected for publication by the Literature and Arts Commission, Anhad Draboo, a young freelance prostitute, meets Niharika, a “reader” from the Commission – who has been searching for Anhad ever since she read his manuscript. 2018. Zia Draboo, a corporate lawyer living in Mumbai and all set to buy the flat she has been renting with her partner Meera, finds out she cannot buy it because of the Housing Society’s resistance to her name. 1989-90. Ayesha, a housebound State Radio newsreader in Srinagar, Kashmir, reaches out to her childhood friend Usha to solicit help from her husband – a government official. She needs it for her own husband, Ghulam Muhammad, who faces bankruptcy and ruin amongst rising unrest in the city.

Karma, a Tibetan filmmaker from New York, goes to Dharamsala, the Dalai Lama's exile headquarters in northern India, to make a documentary about former political prisoners who have escaped from Tibet. She wants to reconnect with her roots but is also escaping a deteriorating relationship back home.One of Karma's interviewees is Dhondup, an enigmatic ex-monk who has just escaped from Tibet. He confides in her that his real reason for coming to India is to fulfill his dying mother's last wish, to deliver a charm box to a long-missing resistance fighter. Karma finds herself unwittingly falling in love with Dhondup even as she is sucked into the passion of his quest, which becomes a journey into Tibet's fractured past and a voyage of self-discovery

An epic exploration of the Czechoslovak New Wave cinema of the 1960s and 70s, structured around a series of conversations with one of its most acclaimed exponents - Closely Observed Trains director Jiří Menzel.

An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.

A fourteen minute cine-poem, Memories of Milk City catches Ahmedabad at a time of transition, peeling away layers of textures, gestures and sounds, tripping over a culture and a language at war with themselves.

Indian documentary about Indian film history and P. K. Nair, the founder of the National Film Archive of India and guardian of Indian cinema. He built the archive can by can in a country where the archiving of cinema was considered unimportant.

Ill-fated love set against the epic canvas of India's partition into Hindu Indian and Pakistan. Lajma, a beautiful school teacher with greying hair, leaves Pakistan for her childhood home in India. There she discovers that the home is in ruin, her aging aunt is half senile, and her cousin Gautam is bitter and defeated. Flashback to 1947 when India splits in two - a proud old Muslim man, along with his grieving daughter-in-law, take in a couple of impoverished Hindus, Chand and Bhagwati, into their home. Later, Chand's mute sister Lajjo arrives with her young daughter Lajma. Suffering from some unnamed past trauma, Lajjo is eventually sent to an asylum, leaving Lajma with her uncle. Lajma recalls her aborted relationship with the childhood friend and her inability to understand what her lover was going through, as well as her lover's inability to acknowledge a latent bisexuality. But the most difficult memory to deal with is that of her mother, brutalised during the riots.

A documentary on the socio-economic injustice meted out to the slum-dwellers in Bombay, and an attempt to understand the factors responsible for it.

As they prepare to celebrate their wedding anniversary, politically committed professors Hari and Ramona receive a group of unwanted visitors claiming to be from a central intelligence agency. Dressed in white hazmat suits and wearing multifaced masks, the team of men and women raids their house, traumatising the couple and taking away their hard drives. The professors contact the police, but when their friends and acquaintances doubt their claims, Hari begins to break down.

a jubilant musical journey set against the backdrop of gang wars. Tangra Blues follows two people who go through various highs and lows of life, wrestling with the memories of the past and struggles of the present to create a foundation for a hopeful future.

Conversations with 92 year old Kamlabai Gokhale, a pioneering actress of the Marathi stage and the first lady of Indian film. The documentary gives an impression of the history and growth of Indian film and theatre as it was experienced by a woman who struggled against the social structures of her times.

Within the Delhi based English theater group, a crisis in the personal and professional relationships of the actors is doomed to make a mockery of their attempts to stage Othello. Shakespeare's central motifs of jealousy in love, and prejudice due to cultural differences, closely resemble what is happening among the cast and the play starts to amplify and precipitate their problems towards a tragic conclusion. Yet is it in fact the spirit of the play that is doing this? SYNOPSIS A multicultural theater company in today’s New Delhi is staging a production of Shakespeare’s Othello. The director takes a bold step by casting an inexperienced small town actor as Othello. The new actor falls in love with the leading lady, who is also the director’s love-interest, and the two men become bitter rivals. Things become even more complicated as the actors’ theatrical personae start to seep into their lives outside the theater.

Dipak and Saraswati live a simple life in Kathmandu. A devoted father and an adoring husband, Dipak works as a security guard, while Saraswati happily tends to traditional housework. Their home is modest, and their two girls are happy. Life would be perfect for the pregnant mother if only she could give her husband a son. Desperate in her desire, on the advice of a stranger, Saraswati prays to a new spirit with miraculous results. When the blessing turns to tragedy, the distraught couple appeals to Gita, a jhangrini or healer, revered as a powerful spirit medium. Gita's own crisis of faith and, perhaps, her stunning beauty, forces all three to a dizzying climax, leaving the lines between secular and spiritual desires eerily blurred.

A seventeen year old girl, who is very carefully brought up by her well-to-do parents, on completion of her school studies, has to make a decision regarding her future.

Set in modern day Kolkata, Mirzaa is the story of two orthodox underworld kingpins and their hate against each other that finally shatters the world around them. Based on Shakespeare's Romeo and Juliet, Mirzaa tells the story of a time when love becomes forbidden

When a woman loses her baby, her husband abandons her and she starts showing schizophrenic symptoms. She sets her eyes on her elder sister's husband and tries to get close to him.