Ginny Simms

The Ed Sullivan Show is an American TV variety show that originally ran on CBS from Sunday June 20, 1948 to Sunday June 6, 1971, and was hosted by New York entertainment columnist Ed Sullivan. It was replaced in September 1971 by the CBS Sunday Night Movie, which ran only one season and was eventually replaced by other shows. In 2002, The Ed Sullivan Show was ranked #15 on TV Guide's 50 Greatest TV Shows of All Time.

When his first stage show fails, songwriter Cole Porter goes off to fight in WWI until, injured, he lands in a hospital. He impresses nurse Linda Lee with his creativity, but their budding romance must wait as Cole heads home. Back in New York, he mounts a series of popular shows, and when his work brings him back to Europe, he eventually marries Linda. But success doesn't spare him from marital complications or bad news about a beloved relative.

After Flash Fulton and Weejie McCoy take pictures of a bank robbery, they're lured to the mountain resort hideout of the robbers, where they meet an old friend and his band.

This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.

Broadway producer Johnny Demming is only interested in big-name talent and scoffs that his sister, father and other small-time talent could be used in a successful show.

A crook becomes the victim of a crafty card player who works for the District Attorney.

We see them all here including male vocalist Harry Babbitt, comic Ish Kabibble and guest stars like Jerry Colonna, Mel Blanc, Lucille Ball and Linda Darnell.

Hedda Hopper guides us through some of Hollywood's sights; the home of William S. Hart and a Kay Kyser recording-session being among them.

J. D. Forbes, head of the almost-bankrupt Four Star Studios in Hollywood contacts band leader Kay Kyser, who puts on a radio and-live theatre program called "The Kollege of Musical Knowledge," to appear in films. When manager Chuck Deems gets the studio offer, he and band members Ginny Simms, Sully Mason, Ish Kabiddle, Harry Babbitt and the others are all fired up at the prospect of going to Hollywood and working in the movies, but band-leader Kay is all against it and says his old grandmother has told him to stay in his own back yard, but he relents. Once there, Stacey Delmore, a Four Star associate producer left in charge of the studio while Forbes is out of town, discovers that the screenplay writers have prepared a script that has Kay Kyser playing a glamorous lover in an exotic European setting.

Soldier Johnny Grey is engaged to marry singer Mapy Cortes, but his plans go awry when he learns that he is the heir to $100,000 from his great-grandfather -- a bequest that comes with a catch: before claiming the money, Johnny must marry a descendant of his great-grandfather's Civil War enemy, General Havelock-Allen. Not wanting to disrupt his planned marriage to Mapy, Johnny must figure out how to concoct a temporary marriage-of-convenience with the descendant -- who turns out to be the beautiful Terry Havelock-Allen.

The manager of Kay Kyser’s band books them for a birthday party bash for an heiress at a spooky mansion, where sinister forces try to kill her.

It's Fibber and Molly's 20th anniversary and they want to throw a big party. But when everyone declines their invitation, they decide to go on a second honeymoon instead. After one night at the broken down Ramble Inn, where they spent their first honeymoon, they decide to go across the lake to a swanky (and expensive) lodge, where they bump into their old friends Edgar Bergan, Charlie McCarthy, Gildersleeve, and Mrs. Uppington, so the party is on again.

Lulu Monahan, the press agent for John Barrymore, is attempting to get a sponsor for a radio program. To that end, she and the agent for bandleader Kay Kyser, plant a story that the great Shakespearean actor, over his heartfelt objections, will teach Kyser how to play Shakespeare, which isn't the same as playing Paducah, which soon becomes evident.

National DJs help a promoter make an unknown girl a star, to prove the power of radio over TV.