Todd Rotondi

It's San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society's reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.

Gorgeous Dutch youngster Max has two passions, acting and girls. The first becomes his brilliant career, which takes off so well he gets invited to a prestigious New York theatre course for a year. But since he met fickle bitch Phileine in an Utrecht park, his flirting life is cut short while she cruelly plays with his feelings rather then his horny body. After refusing to follow him, she turns up uninvited later and still acts jealous and possessive. Grief follows for everyone, working up to a convoluted finale.

A young woman who has tragically lost the love of her life stumbles upon a powerful phenomenon while grieving at a place very special to them, a small pond.

Missy (Justina Valentine), a recovering drug addict balances her dysfunctional family, a heroin addict father (Lenny Clarke) and her street bred brother (Johnny Hickey). These lives intertwine with the collateral damage of the Boston's "Methadone Mile"" - A homeless safe haven for drug addicts, where three methadone clinics, the Boston County Jail, and two homeless shelters encompass a three block radius in the heart of Boston. Missy's journey is a roller coaster ride of releasing with the drugs destroying everyone and everything around her, as she fumbles to find GOD and redemption.