Chu Shao-Chuen

The renowned Li Li Hua plays Wu Ze Tian, the most famous woman in China's four thousand year history.

This is a musical about a young emperor who is lured via stories told to a place called Kiang-Nan by his royal tutor. The empress mother has the tutor go to Kiang-Nan to bring him back.

The Ching Dynasty novel The Dream of The Red Chamber is not only the most widely read, but also the most filmed book in Chinese history. The sprawling love story has proven a challenge to many filmmakers, but this version is acclaimed as the most successful. A sumptuous feature which took three years of planning and another for production, it was a hugely popular and critical hit which still stands out as a classic of both 18th century literature and 1960s moviemaking.

Melodramatic film about a child prodigy.

Li Han-Hsiang directed film.

Marriage Angle is a Hong Kong Mandarin-language feature film of the drama genre, written and directed by Wang Yin, produced by Shaw Brothers Studio, Liu Chi and Chow Sze-Ching were the cinematographers.

Singaporean diva Li Ailian has arrived in Hong Kong to further her singing career. Xu Zhaofeng helps her land a job at Spring Wind Palace. Provoked by jealousy, Xu's long-time girlfriend Tao Haiyin, a local diva, insists on performing at the Palace, too. And when two divas strut their stuff, it's great tunes and hot action. Haiyin's brother Zhengsheng, the bandleader, has fallen out with his sister due to his infatuation with Li. Li misunderstands Zhengsheng's intentions initially but his devotion speaks volumes. Haiyin and Xu also reconcile.

A Songstress Called Hong Lingyan (歌女紅菱艷) aka Tears of Songstress is a 1953 Hong Kong musical drama film directed by Tu Kuang-Chi. The film was a co-production by Shaws Film Company and Far East Motion Picture Company, and is based on the screenplay by Pan Liu-Dai.

Gu Lingxiu's dream of becoming an actress is opposed by her grandmother. Her father Zhongqi remains ambivalent. Years ago, Zhongqi was in love with a Peking opera diva Hua Yanhong, but the lovers were separated by the matriarch. Regretful of the mistake, the matriarch discards her prejudice and allows Lingxiu to pursue her career. She also urges Zhongqi to look for Hua.

Famed director Zhu Shilin tries his hand at a horror film! The beginning of The Living Corpse immediately sets the tone with a folk duet clearly inspired by the popular 1956 musical Songs of the Peach Blossom River. The duet, in addition to Zhu's frequent use of long, empty shots and crisp editing, gives this horror film a traditional poetic charm and a strong folk flavor. Mise-en-scene and sound effects create a terrifying atmosphere, and successfully communicate the ghostliness of a world without ghosts.

A Hong Kong historical drama

A hostess in Shanghai invites her secondary schoolmates to a reunion. They each reminisce about their lives, with some having difficulties in marriage or career. Some led destructive lives, while others contributed to the country.

The owner of the old house Xiangyun Villa, Wu Jishan, died a year ago and has yet to be buried, so the residents of the neighborhood regard the place as a murderous mansion. On the anniversary of his death, his only daughter, Yunfang, returns from her studies abroad, accompanied by her fiancé, Zhang Shouyi, and many of her relatives. Lawyer Song announces his will in public: 1. The distribution of the property is described in the second will; 2. The second will will be announced in three days; 3. If Yunfang is dead, the property will be inherited by her fiancé; if she dies without being married, her nearest relatives will inherit. All at once the people are suspicious of each other and create murder, while all the actions are watched by the servant Lao Cai and Wang Yiping, the assistant of the lawyer Song. In the end, the culprits are caught and Yunfang and Yiping become a loving couple.

No description available.

A rural singsong film.

Criminals use jiangshi corpses to smuggle illicit drugs.

Early Shaw Brothers drama

Meal Time is a comedy film about all the mess with housework that director Yan and his wife had to go through after the maid gave up her job.

Red Heroine was a smash hit on release and a prime example of the martial arts explosion of the late 20s (setting the template for later revivals), but with a crucial twist: in place of the typical, manly hero we have a swashbuckling woman. At first she’s a helpless abductee, then an unstoppable killing machine, fighting to stop a tyrannical warlord ravaging the countryside and enslaving numerous (very) scantily-clad young women.

The Mermaid Princess of Dongting Lake had the misfortune of marrying ill, her husband being the depraved and tyrannical Prince of Jingchuan, who subjected her to relentless torment. By chance, she encountered the scholar Liu Yi, entrusting him with a blood-stained letter to seek aid from her father, the Dragon King. Ultimately rescued and returned to her maternal home, the Mermaid Princess and Liu Yi transcended the divide between mortal and immortal realms, uniting in a bond of true love.