Ib Hansen

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Policeman Karl Jørgensen was once a prominent detective, but due to a violent temper he's now checking out passports at the airport, smuggling stout to work in his thermos every day. However, Kaj, the boyfriend of his daughter, is suddenly killed by a heroin overdose injected by hooded gangsters. It turns out he was spying on their organisation for his brother, Frank, who was framed by them while smuggling narcotics. When Frank hears about Kaj's death, he escapes from prison to get back at the killers. Meanwhile, the same gangsters threaten Karl Jørgensen's daughter, and soon Karl is involved in a major drug smuggling case. Frank and his buddy rob a bank and shoot a police officer. A country-wide manhunt ensues while Karl is having trouble with controlling his daughter's vigilante activities, with finding out who killed Kaj, with the police detectives on the case and with his own alcoholic and lacking existence.

A director and screenwriter pen a script and, in the process, blur the line between fiction and reality.

As usual, Egon has an ingenious plan. And, as usual, it works just fine until one of the gang members makes some kind of funny error. This time, however, even Egon's life is in danger, for some international criminals try to get rid of him by throwing him into a container filled with acid.

He is very happy – and proud! For he believes that he is a great, great hunter who brings home his beautiful prey, Eva. But she knows better, and so do her three sisters, who show up for the wedding, for girls naturally know everything there is to know about women's wiles and love. With a totally confused but sympathetic smile for the three unhappy women he did not get, he flees with his young bride. In return, the three amuse themselves by telling each other the true story—how things really went with the young couple—and the winding paths he took to reach his wedding. For it has always been the prey that has hunted the hunter, and – without him ever suspecting it – he has been more of a plaything than a Don Juan. What the girls "confess" to each other is not boring—it is a comedy—which, admittedly, is not about "that's how women are"! At most, it is about how women are like that too!

Daniel owns a shoe factory. He is in his fifties, married to Elisa, has a son who studies psychology and a mother who is at a nursing home. But when he applies for a life insurance his life changes. Because he has to undergo a number of health examinations, and maybe he is not what the insurance people call "a good life".