Writing
On Christmas Eve 1944, the devout Kubis family gathers under one roof despite divided loyalties: their youngest is a partisan, the eldest a guard, the daughter an Aryanization beneficiary, they sit with a Nazi guest, and the prospective bride is a communist. As the war’s end draws near and the front collapses, conflicting convictions and survival instincts force the family to confront moral compromises and the inevitability of sacrifice. What will each confess at midnight mass when duty to family, faith, and conscience collide?
On Christmas Eve, 1944, in Nazi-occupied Slovakia, the Kubiš family grapples with survival amidst brutal reprisals. Marián collaborates as a fascist guard leader, while his sister Angela has an affair with their Nazi lodger, Major Brecker. The situation escalates when their younger son, Juraj, a former partisan fighter, returns home wounded. As Germans search homes for escapees, Juraj hides in the attic, while an unsettling Christmas dinner unfolds below with Major Brecker present.
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Two criminal investigators try to reconstruct a crime that happened in broad daylight, almost in front of the public, during a nighttime investigation. But the author does not only follow the criminal storyline. The witnesses the investigators call in each represent a different variant of cowardice or alibi in their own way.
Barnabáš Kos, a meek and modest triangle-player in a state orchestra finds himself unfathomably promoted to musical director. Now drunk with power, the once timid musician turns into a poised, commanding peacock and seeks to transform the orchestra to suit his own agenda and inflated vision.
Mr. Ctibor once worked as a hotel valet, and although he is retired, he is still eager to prove that he is needed. He thinks he has once again been given the opportunity to intervene in the interests of both the guest and the hotel's reputation, as he wants to prevent the reported suicide of one of the guests. However, the mix-up of room numbers is fatal not only for old Ctibor, but also for the guest in room 32. Ctibor's efforts prove futile, because he mixed up the room numbers and protected someone who didn't need it at all...
Episodic film consisting of three satirical shorts ('Smutný káder', 'Typický prípad' and 'Vel'korysá kampaň') comically exposing the shortcomings of society. In the interval between each short, a committee recognising themselves in the characters on screen, voice their approval or disapproval of each film.
