Ana María Sánchez

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On Gabriel's birthday, he and his friend Jorge Mario are kidnapped by guerrillas who have infiltrated his rice farm. Isolated in the middle of nowhere and with no news of his desperate family, Gabriel must survive however he can and becomes the stylist for the commanders and soldiers. Gabriel insinuates himself into the circles of power to eavesdrop on the commanders' conversations, gathering critical information and trying to find a way to contact his brother in the military so he can regain his freedom.

Marlon Cruz, a young Colombian man who motivated by his girlfriend Reina, leaves his comfortable life in Medellin and flees with her through Guatemala and Mexico, across the borders, illegally into the United States.

Amparo, a mysterious woman, offers a large payment to quickly cremate a young woman named Lucia. When the funeral home owners refuse, they later discover the body has vanished and, in panic, give Amparo another person’s ashes instead. She pays and leaves, unaware that this mistake will lead the undertakers into the worst trouble of their lives.

Soledad is blind, and her dream is to be a famous singer. She falls in love with Vicente, and although fate seems determined to separate them, they will fight to be together.

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A controversial TV host and comedian who has built his career on sexist humor is forced to assume a woman's identity to elude a relentless drug dealer.

El Perro, a kidnapped soldier, takes advantage of a confrontation between his captors and the paramilitaries to escape. In his escape, he takes refuge in the house of a peasant family that keeps a dark secret that he must solve to be free.

Anna pays a surprise visit to her grandmother's country house, hoping to spend the weekend with her. Her mother, Yulia, is also there. But Anna was raised by her grandmother and is not close to her mother. The three of them live together in this quiet country house, where long-standing conflicts become invisible and hidden secrets and traumas are uncovered.

Three retired women travel by bus on their way to discover Europe. They’ve recently lost their husbands and now it’s time to start living. They’ve heard people talk about the wonders of tourism all their lives and are dying to experience them firsthand.

After living in the US for years, a young woman Esmeralda returns to her native land Colombia to confront her mother about her traumatic childhood memories. Back in her neighborhood, Esmeralda faces the ghosts of her past and learns to let go and forgive by creating an unbreakable bond with her mother.

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Fabiana is a mother whose husband is ill, so she has to take care of the household and face the rough world of cab drivers, while her husband has to take care of the housework, where he is not able to get a foot on the ground.

A couple of farmers have been displaced from their land, a jungle area, isolated from the world, where lived his childhood and youth, and was brutally thrown to face the streets of an unfamiliar city, huge and ruthless.

Calixto Bieito controversial take of the Verdi classic "A Masked Ball"

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A social experiment, based on the concept of 'equal opportunity', tests the dignity of people from different social classes. Who will win?

The love between Sita, the priestess of the temple of Indra, and an unknown stranger, who is actually Alim the King of Lahore, is hindered by Scindia who wants to take the throne and to marry Sita. When Scindia discovers the lover's true identity, he accuses him before the high priest Timour, who condemnsns him to go into battle against the muslims. In the battle Alim is defeated, and, seriouslyy wounded, returns to Lahore where he ides in the arms of his beloved Sita. Having g risen in to the Hindu paradise and been reincarnated aim turns to Lahore just in time to witness the usurper's splendid coronation and to reveal Scindia's crimes to the entire populace, In the last act the two lovers take refuge in the temple of Indra to escape from Scindia: Sita takes her own life with a dagger thus provoking Alim's death. The two lovers will be together in the hereafter.