Mauricio Godoy

An experimental documentary short about the terrorism in Peru in 1986. Using archive footage, the director deconstructs the massacre in a successive historical actions choreography and an atmospheric sound mix alternating the imminence of both the massacre and the oblivion.

No description available.

An approach to the Peruvian director Armando Robles Godoy's way of seeing cinema. Images from "Espejismo" (1972), "La muralla verde" (1970), "Sonata Soledad" (1988) are commented by the director, complemented by the testimony of close friends, collaborators and critics of his work.

Fifty years ago, the struggle for the lands in rural communities of Cuzco was filmed. A group of filmmakers brought these images back to the province of Paucartambo (Cuzco) and proposed to the villagers of the area to build a community memory through the creation of a new film.

"In the Moche culture, every forty or fifty years the temples were buried, and an exactly identical temple was built on top. One cycle ended and another began. I believe that's what Peru is like (...) A phrase from the Peruvian poet José Watanabe that speaks to us about the history of Peru. A history that is apparently being lived out today."

The knot of the tie enters into the complexity of Alejandro, a mixture of thoughts out loud and an excessive performance reveal his acting work and his diagnosis.

A contemplative look at the daily life of Zaña. Several documentary vignettes and landscapes unfold and are born before the lens, rescuing the time and rhythm of the countryside of the characters who inhabit the community.