Victor Costa Lopes
Directing
Biography
Victor Costa Lopes has a degree in Cinema and Audiovisual from the Federal University of Ceará. Partner at Orla Filmes, serves as director, editor, screenwriter and producer. He directed the short films "Revoada" (2019), awarded as Best Short New Directions at the Rio 2019 Festival, and "From Tuesday to Wednesday" (2015), winner of the Critics Award at Janela Internacional de Cinema 2015. Victor is also co-director of the feature film "O Animal Sonhado" (2015) and the documentary series "Identidade #Transvive" (unpublished). He is editor of the feature film "Inferninho" (2018). "As Cores do Divino" is his first documentary feature.
Known For
Two great friends meet again after five years. Among so many things that have changed, the resumption of the bond awakens an old feeling for which they remain unprepared.
The Best Friend
No description available.
Se Avexe Não
The challenging daily routine of Ceará-born jockey Antonio Davielson and his family living in a foreign country on the other side of the planet.
Smiling Jockey
Joana, a 14-year-old teenage girl, shows up to spend a week with her father, Renato, a comedian who performs his shows in steak houses, bars and nightclubs in Fortaleza dressed as Silvanelly. Despite barely knowing each other, having had little contact so far, and leading very different lifestyles, father and daughter need to live together during this period of time. Together they will meet the young actor Marlon, live new experiences and try new feelings. This week together will profoundly transform their lives.
The Clown's Daughter
As a virus spreads throughout Brazil, a young filmmaker goes back to his village and tries to rekindle his relationship with his father. But as they become closer, stranger events start to happen, making their connection more difficult.
A Strange Path
Deusimar is the owner of Inferninho, a dark and run-down bar that is refuge of dreams and fantasies. Her dream is to leave everything behind and go away to any distant land, as far as possible from that place. Falling in love with Jarbas, the handsome sailor that arrives at the bar, dreaming of finding home, will completely change her life and the lives of the bar employees: Luizianne, the singer; Rabbit, the waiter; and Caixa-Preta, the cleaning lady.
My Own Private Hell
A terrified young woman is staring at a disturbing monstrosity, a kind of Pagan spirit that has sprung out of a river. Such is the opening scene of Pajeú, named after the creature, a fantastic character which follows the meanderings of the river and drives the story. Eager to get rid of a nightmare that is infecting her life, Maristela is looking into the story of Pajeú, the now forgotten figure buried in the depths of the city of Fortaleza. The film goes through successive urban transformations leading to the burying of Pajeú, a mystery imbued with supernatural elements.
Pajeú
No description available.
Joqueta
The animal is in motion, it is impossible to hold it. The bodies vibrate, dance and desire.
The Dreamt Animal
Four distinguished women and mothers of LGBTQIA+ people share their lives and their experiences with motherhood.
A Piece of the World
What can 20 actors’ faces, waiting for a casting call, reveal?
Adulto/Homem
No description available.
Porque Era Ela
Under the rule of the Chronos Machine-Metropolis, which erases the past to control the future, young Kaira is the last hope to restore lost memories in order to free a people without a history.
Kaira and the Temporal
At dawn, a boy, a city and unexpected encounters.
Tuesday Overnight
No description available.
O Dia em que Minha Avó Fugiu de Casa
No description available.
Cisão
Documentary made from conversations with LGBT + people, united by a common thread: all have already been part, or still are, of some religious institution. The film provides an instigating panorama on the relationship between religion and sexuality.
As Cores do Divino
Ants fly in downtown Fortaleza on a dawn lost in time.
Take Wing
No description available.
Aos Mortos, Um Lugar Para Habitar
I put you on a shelf of timelessness to try to ease all this endless mourning, which does not accept you as past in any way. While I sleep, I take care not to occupy your side of the bed.