Writing
Orson Welles' archives of unfinished/never released movies and the last years of his life from the perspective of Oja Kodar (life and artistic partner of Orson Welles in his last years).
The film follows the fate of two boys, one of whom hopes to become an Olympic runner and the other a photographer.
Marie, her father and her little brother live in an underground bunker hidden deep in the woods. The World as we knew it no longer exists. When the father accidentally shoots a stranger while on a hunt, he sees himself faced with only two options. At home, Marie tends the wounds of the unconscious man. While the father distrusts the stranger, Marie is drawn to him. For her, the bunker feels not like a home but a prison from which she yearns to break free. Can this stranger be her long awaited hope? But when a group of marauders invade the bunker, Marie is not sure who her new friend really is.
A film about the artist Daniel Spoerri. It's actually a film about a thought by Daniel Spoerri: a film almost without Daniel Spoerri, it's actually mostly acted out by a child - to say no less than that everything somehow goes on in life, even if you die in between.
Ayşe Polat grows up in Hafenstraße in Hamburg in the 1980s. The 15-year-old is surrounded by crime and is quickly pigeonholed by outsiders because of her living situation. However, the criminal environment doesn't say much about the person.
