Hélène Merrick

Lace up your boots, stock up on beans, and practice your slap-fighting skills: the most popular duo in “popcorn” cinema from the 1970s through the early 1980s is back in Julien Doubois’ documentary “Terence Hill, Bud Spencer… and Me”, written by Philippe Lombard. To recount the cinematic saga of the two friends and pay them a sincere and passionate tribute, Philippe went all out, setting out himself in the duo’s footsteps across Europe, even going so far as to eat beans on camera, all while bringing together a circle of knowledgeable and enthusiastic contributors. Snubbed by critics, mocked by the know-it-alls, absent from anthologies and retrospectives, yet adored by the general public. The smart, handsome guy and the clumsy oaf. A brand of cinema whose pace, gags, stunts, good cheer, audience, and humor are reminiscent of the circus.

Ever since the goddesses, gorgons and other sirens of ancient mythology, the strangest creatures, sometimes charming, sometimes terrifying, have continued to haunt our imagination. This documentary shows the disturbing fascination they exert on both filmmakers and the public and rehabilitates an underappreciated continent: the great female icons of horror and wonder in cinema.