Analú Prestes

A story about love and its different manifestations, told through the little boy Marcelino in search of his biggest dream: to meet his mother. Inspired by a famous book, the plot takes place in the 1940s.

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After the breakthrough success of 'The Cariocas', the spin-off 'The Brazilians - The Women' embraces all the diversity of Brazil and its women. Powerful, fragile, funny, protective, beautiful, talented, insightful, and especially unique; they all have a certain charm. No matter what their birthplace, age, lifestyle or preference, these remarkable women have one thing in common: they are Brazilian. Brilliantly witty and entertaining, every independent episode provides an exclusive look at the life experiences of the women who inspire everyone.

Due to a rare phenomenon, a woman finds herself pregnant with twins by two men. Over time, she strives to keep her family united — and her secrets hidden.

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"Sparkling Girls" centers around three young and beautiful, hard-working housekeepers who reach stardom instantly when an online video clip of them singing, surprisingly becomes a hit. Their success provokes the wrath of a glamorously gaudy and outspoken famous singer who will do anything to ruin the girls' friendship and career. With humor, romance, over the top characters, and bright, glittery stage performances set to catchy tunes, "Sparkling Girls" delivers all of the expected delights and shows that dreams really do come true.

"A Woman’s Fate” is about the story of three women who are stuck to social patterns that prevent them from being happy. Stella, after fifty years of marriage, notices she has given up on dreams to be the woman behind a “great man” and for motherhood. In an act of courage, she decides to get a divorce. Her daughter Lívia is a famous psychologist that, to try to make her jealous and manipulative husband happy, gives up on great opportunities. Cléo is a survivor who struggles against adversities imposed by her social life and does everything to maintain her mother’s happiness. Searching for their freedom, their dilemmas and relationships cross paths throughout the story, making each one of them reinvent themselves and discover their overcoming skills, learning that it is never too late to have control over their own lives.

Christian and Renato are identical twins who have opposite lives: Christian grew up in an orphanage and is underemployed, struggling to survive. Renato was adopted by a rich family and had everything that money can buy. When they meet again as adults, a tragedy happens: Renato is murdered and identified as Christian who, in turn, takes the place of his brother. However, to this end, he must leave behind his identity and his great love.

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One place, in two eras: in 2020, three heirs of an abandoned property decide to recover it. In 1985, the property was the scene of passions, episodes of violence and solidarity adventures.

When he learns of his mother’s death, Thomas returns to Brazil with Beni, his partner, and is told he now owns a country house that used to belong to a grandmother he never met. Curious to connect with his family history, they visit the house and Thomas is welcomed by two aunts that treat him like a long-lost child. As Thomas becomes increasingly enchanted with the place, Beni begins to suspect that something lurks beneath the façade of a quiet country life.

An unhappily married cleaning woman in the slums of Rio entices all the money and gifts she can out of an elderly widower.

Julia is a 35-year-old English Literature teacher struggling with depression as she tries to get her life back together again after her long, intense love affair with Antonia. Feeling totally abandoned after she and her enigmatic girlfriend broke up, Julia is thrown into a desperate, painful process. Her life and her values have been tinged with unbearable melancholy and her life's measure seems reduced to out-of-focus fragments of her memories. Her inner turmoil and conflicts hamper a process now made necessary - that of readapting to her new life. It is impossible for her to disguise her pain when she attempts to narrate emotions.

In a crime-plagued area of Rio de Janeiro, a team of honest cops, including a determined rookie, fights corruption and mistrust on all sides.

A once-rich family of women in Rio de Janeiro must sell their mansion in order to keep their high standard of living, but the proximity to the slums disrupts business.

After many flops, theatrical producer decides to stage a former hit, "O Mistério de Irma Vap". But he is going to face many problems to find the right actors and get the necessary permissions.

Many stories revolving around a poor couple who, in spite of hating each other, still live together under the same roof.

Roberta and Suzana are two sisters, both in their thirties, of totally different beauty and life styles, united by a common goal: to take revenge on their grandmother, a mean old woman who, in the past, turned the little girls' lives into hell, with her strict educational concepts. Since they were very young, the two sisters plan to kidnap the grandmother and now is the long awaited moment. Before Roberta and Suzana leave to the beach house, the setting of their grandmother's terrorist practices, Roberta, while waiting for Suzana at a restaurant, meets Renato, an extremely proper guy who ends up involved in this unexpected adventure. The two sisters' departure leaves Suzana's husband, Francisco, bewildered and he ends up being also part of a parallel mad adventure.

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In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.