Acting
Thea is a sculptor who is diagnosed with tuberculosis before she marries Filippo. After abandoning him, her health begins to decline. She organizes a final party, inviting along her estranged husband. The film is considered to be lost, with only a fragment surviving in the film archive of the Cineteca Italiana.
Italian silent film, an adaptation of La Curée by Émile Zola
In L'innamorata, Almirante is at the zenith of her career, starring as Mara Flores, a vampish society lady, who casts her eyes on Carlo, an electrical engineer and director of a powerplant. Although attracted to Mara, he rejects her, and she immediately turns around and sinks her fangs in his best friend and future brother-in-law, Franco. Not possessing Carlo's self-composure, Franco takes up with Mara, and it leads him to his ruin and death. Now, Carlo does fall under Mara's spell, and as their passion intensifies, it becomes clear that there will be no happy end to this story.
No description available.
Consuelita, a young woman who longs to escape the harsh conditions of her small fishing village, is married off to a wealthy, mentally ill Englishman. (Melo)drama ensues.
A businessman marries Maria, the daughter of the rich professor, not for love but for personal gain. He betrays and humiliates her but she hides his despicable character from both her father and society at large and takes comfort in the company of a ship’s lieutenant. They fall in love but agree to interrupt their impossible relationship. Pregnant with her lover’s child, Maria decides to follow her heart and join him at sea but a series of dramatic events awaits them.
Sposa nella morte! is a 1915 Italian silent drama film directed by Emilio Ghione and starring Lina Cavalieri. Only 15 minutes remain today.
In a sleazy cigar and newspaper store in Rome, an old newsagent nicknamed "Papa Re" sells his wares, warmed only by an earthenware heater that his granddaughter brings him each evening. One day, the stove falls from his hand and breaks into a thousand pieces. The same evening, when he opens the kiosk, he finds inside a woman, huddled up, with her little daughter in her arms: it is Rosalba Vignas, a singer-songwriter who has been chased away by her lover, Cesare le Milanese, who fell in love with his younger colleague.
Italian horror movie from 1917.
Thibault de Croucy campaigns against the Jews, in the circle of rue Royale, before learning that he is the son of one of them: the prominent banker Gotlieb had been his mother's lover — an adaptation of an Henri Bernstein play first presented in Paris in 1908. The legendary French director André Antoine, working in Italy after the war, struggles to import his usual style, remaining close to the Italian melodramas of the 1910s. Taking a more incisive path than Bernstein, he frontally accuses the Catholic Church of being responsible for antisemitism. Not received well by Italian critics, the film's release is short-lived. A unique element was found by Philippe Esnault in the collections of the Cineteca Nazionale in Rome in 1973 and served as the basis for a 2005 restoration.
