Susie Bright

When death is your business, what is your life? For the Fisher family, the world outside of their family-owned funeral home continues to be at least as challenging as—and far less predictable than—the one inside.

Corky, a tough female ex-convict working on an apartment renovation in a Chicago building, meets a couple living next door, Caesar, a paranoid mobster, and Violet, his seductive girlfriend, who is immediately attracted to her.

Exuberant, eye-opening movie that serves up a dazzling hundred-year history of the role of gay men and lesbians have had on the silver screen. Film contains fabulous footage from 120 films showing the changing face of cinema sexuality, from cruel stereotypes to covert love to the activist triumphs of the 1990s.

The sexual fantasies of women are explored by four female directors.

Rescued from the Closet is a 2001 documentary consisting of interviews originally recorded for the 1995 film The Celluloid Closet. It explores the history and impact of LGBT representation in cinema, providing insights into the portrayal and evolution of LGBT characters and themes within the film industry.

The rise and fall of homegrown gay porn studio Palm Drive Video. An exploration of how a devoted couple helped battle a devastating health crisis by promoting kinky sex.

A German woman travels to San Francisco to find her mother, but winds up distracted by the sexually flamboyant culture of the city.

Legendary underground cartoonist Spain Rodriguez and his friends -- cartoonists Robert Crumb and Jay Kinney and cultural critic Susie Bright -- discuss Spain's art and his life as an outlaw biker, '60s figure and social satirist.

“Working-class Latino hood, crossed with crazy artist, crossed with left-wing radical,” so the legendary underground cartoonist Spain Rodriguez is described in this intimate portrait by his wife, Emmy-nominated filmmaker Susan Stern.

With an all-female cast, featuring Suzie Bright as John Lennon, Cecilia Dougherty's Grapefruit plays with the romanticized history of the iconic Fab Four, gently mocking John and Yoko’s banal squabbles and obsessive rituals of self-display. Based obliquely on Yoko Ono’s book, the piece works on many levels to reposition this mythic tale of the Beatles by casting '80s women in mod drag—effectively mapping the lesbian sub-culture onto heterosexual mass culture. Discounting the importance of reproducing facts and historical accuracy, Dougherty gives an incisive reading of the creation of pop culture icons: it doesn’t matter who plays John Lennon because ultimately John Lennon is not a person anymore. As a star, he is a projection of our society’s collective needs and desires.

A woman transforms her everyday existence into an irresistible private fantasy of the most bizarre, sensual and electrifying kind! Dwarfs, fat ladies, bearded ladies, muscle men - no character type too strange or too bizarre.