
Negra Li
Acting
Biography
Negra Li (São Paulo, September 17, 1979) is a Brazilian actress, singer and dancer. She was one of the lead actresses in the 2006 musical drama film Antônia.
Known For

Gerluce became pregnant as a teenager and, just like her mother, Lígia, she raised her child alone. Now, Gerluce watches her daughter Joélly become the third generation of the family to go through the same situation. Besides the impact that teenage pregnancy brings to the whole family, the three Marias das Graças must deal with Lígia’s worsening health.
Three Graces

Sol is a hardworking woman who has the chance to work as a backing vocalist for a funk singer and return to dancing, as she did in her youth. Torn between family pressure and passion for the stage, she must face the judgment of her church's members and conflicts with her family. The new chance will make her reconnect with her past in many ways, leading her to find her great youth love.
Never Give Up

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Criança Esperança

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Versões

Zé is a music veteran, but he is in decline. He only has one more chance to stay active: to create a successful boy band out of a group of newbies.
Z4

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Antonia

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Te Devo Essa! Brasil

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Show 60 Anos

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Cidade do Samba

Determined to escape their poverty-stricken lives, four talented young women living on the outskirts of Sao Paulo, Brazil, form an all-female rap group but find their road to success is riddled with sexism, racism, and violence. One by one, they succumb to their grim realities...until they discover that out of struggle comes strength, and out of strength, the courage to continue on.
Antônia
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Estúdio Coca-Cola

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Turnê Três Graças

When Alex and Eva choose to exchange vows at the very spot they first crossed paths, a series of hilarious missteps derails their journey to the altar.
Wedding Games

An overview on Brazilian hip hop through interviews with some of its most important artists.
Histórias e Rimas - O Filme

The story of William da Silva Lima, the last survivor of the group that founded the Comando Vermelho at the end of the 1970s. It shows him living together with the political prisoners incurred under the same National Security Law and his leadership in the Ilha Grande Prison creating a type of unheard of conduct and solidarity in the Brazilian prisons. The film goes on to tell of the group's actions on the streets of Rio de Janeiro during the beginning of the 80s when they irritated the police with their daring robberies, as well as portraying the surprising love story between William and Tereza. The narrative weaves its way between the intimate conflict and the spectacular assaults and escapes.
400 Against 1: A History of Organized Crime

Follows the trajectory of Miro, a worker who leads a simple life until a series of violent events shake his wife, Solange. He then decides to enlist in the Foreign Legion, based in France, to protect his family.
The Second Man

No description available.
Nando Reis - Luau MTV Nando Reis

The documentary shows the awakening of the poor youth to social consciousness in the identification of life that imitates art with art that imitates life. It is the São Paulo chapter of the cultural history of national rap in the voice of its main exponents.
Favela no Ar

Camila, a completely skeptical girl, falls in love with a boy from a Christian family. The young woman, who is emotionally shaken by her mother's premature death, ends up finding meaning in life in a Christian rock band.
No Ritmo da Fé

The acoustic album of the Brazilian band Charlie Brown Jr. broadcast on MTV Brazil. The album contains interviews with the band and the making-of video recording, and features music known to the public, along with new songs "Vícios e Virtudes" and "Não Uso Sapato". The concert, which was recorded in São Paulo, with the participation of special guests. Marcelo Nova, Negra Li, the group RZO Marcelo D2 and sang with the Acoustic whiner. The repertoire some recordings of other composers, such as "Samba Makossa" (Chico Science, with special participation of Marcelo D2), "Hoje" (Marcelo Nova), with participation of the artist himself and "Oba Lá Vem Ela" (Jorge Ben Jor).