Staffan Lindqvist

A spontaneously made documentary about the biggest cocktail party in history.

A decade has gone by and the spirit of the preceding film, Dom kallar oss mods, has disappeared. Kenta is an alcoholic and lives with his girlfriend Eva. Together they have a son, Patric. Kenta's mom is in jail for manslaughter and Kenta goes to Kronoberg to greet her. Heroin also comes to play and Stoffe is one of those who falls victim to it. He lives with his girlfriend Lena and their young son, Janne. Lena later throws Stoffe out their home when she gets enough of his abuse, and he is forced to live with his mother. Kenta calls Stoffe and decides to meet him, and he tries to persuade him to give up heroin, but the two have a falling out and they separate. This film features other users from the previous film, such as Jajje and Kenta Bergkvist. The film ends with the death of a prominent person in the trilogy.

After Marta had decided to become a nun at a young age, filmmaker Maud Nycander followed her and her family for ten years.

A film about children growing up in the new Sweden. But it's also a film about the children's parents and their life choices, sorrows and dreams.

About the problems and questions that arise when a young person becomes an adult, what occupies his thoughts, what is important in meetings with other people, how he searches for his own place in life, how he handles the meeting with love and the person who becomes the most important there. When the film is shot, the rock singer Hasse is 24 years old; he lives in Stockholm. The camera follows him through his days, to the rock club, to the stage, to meetings with friends, parents and girls. He meets Johanna, who is 16, and what is called infatuation, eventually love, arises. How does Hasse now create a place for himself in life, how do they build up their community? Both are big-city children, raised in welfare Sweden, which perhaps no longer provides welfare but has created an emptiness, a meaninglessness.

A film crew is assembled to recreate a scene form a Swedish movie classic. The director analyzes the camera angles and the lighting, while chatting about the actor's work and their costumes with the members of the crew. As the set is being completed, a film within the film slowly develops, and all the false starts and phony lines start to take on a life of their own. Is this a documentary, a copy, or simply a unique adventure?

Forty years ago, the first film about the Jordbro families was released. The latest one came out in 2006. When Rainer Hartleb once more trains his camera on the families, the children of the Jordbro children have grown up and live far from the area where the Jordbro story began.

A lyrical, impressionistic tribute to Stockholm where images from today's Stockholm are interspersed with short scenes from Arne Sucksdorff's film People in the City from 1947.