Editing
Ten-year-old Jack has to take care of his little brother, six-year-old Manuel, every day from the time he gets up to the time he goes to bed. When Manuel suffers an accident, their lives change forever.
Because the German state has failed, a large number of people are living in the forest, outside of society.
Through desktop documentary and forensics, this work explores how images of Medusa of Hatra, ISIS propaganda, and digital archives influence reality and memory while examining violence and witness.
How are you using my memories? What programs will replace us? Where is my data? At a bank in the year 2051
Melanie Straub lives aimlessly into the day, or more accurately: into a Saturday. She′s alone at home, surrounded by the emptiness of her new life.
On the visual layer 'In Uranias' is like a diary film made while travelling through Iran and USA in early 2007. The text layer is more like a journey through the emotional landscapes of an iranian-american muslim. These two layers are intertwined - sometimes converging, sometimes diverging - to create an audio-visual anagram: Uranias.
In the found-footage film JUGGERNAUT, men from YouTube archives take center stage. They participate in an endless competition for the title of "THE BEST." To achieve this, the film uses documentary footage from the 1950s that extol the virtues of capitalism, as well as a flood of YouTube videos uploaded by men revealing their secrets to getting rich quickly.
Documentary about German popular music.
A documentary focusing on group leisure activities.
In this stop-motion animation, two flickering sets of images perform a fevered dance. Street protesters and soldiers on Maidan Square morph into the underground queer and techno scene in Kiev. One thing connects them: the masks they use to hide their identities, or become someone new entirely. Director Zielony turns to Maskirovka, a term for Russian covert warfare, because “it refers to the fragile and treacherous situation in which the protagonists live and act”.
Seven people wait in an underground station below Karl-Marx-Allee in former East Berlin.
For more than a quarter of a century, Russia has been conducting a peacekeeping operation in a conflict area between Transnistria and the Republic of Moldova. Starting from the observation of the trilateral “peacekeeping post” on the Dniester River, this documentary reflects the life in the region, which is sluggish under the supervision of the mission’s soldiers.
Inherently political, the three films that constitute Muster (Rushes) (2012) visually link to one another, with each roughly half-hour narrative (79 minutes combined for the single-channel version) taking place at a former Benedictine monastery outside of Kassel, Germany. This monastery functioned as a concentration camp during the Nazi era, a reformatory for girls in the 1970s, and later a psychiatric clinic.
Everyone wants to get to the top as fast as possible, but the artistic directors' performance is turning into a desaster. A fierce, improvised comedy about a group of acting students fighting their angst and the school system.
