
Tarık Akan
Acting
Biography
Tarık Akan (born Tarık Tahsin Üregül, 13 December 1949 – 16 September 2016) was a Turkish film actor and producer, who started his activity in the 1970s. He acted in a total of 110 films, and won numerous awards from various festivals including Cannes and Berlin. He won an Honourable Mention at the 35th Berlin International Film Festival for his role in Pehlivan. He entered a movie actor contest of the magazine Ses ("Voice"), and ended up runner up. He studied acting under the eye of famous Turkish film director Ertem Eğilmez (1929–1989). He made his film debut in 1970 at the age of 21 in Vefasız, and adopted the stage name "Tarık Akan". Between 1970 and 1975, in the heyday of Yeşilçam, he acted in 12 films a year in average. He appeared with Emel Sayın in Mavi Boncuk, Hülya Koçyiğit in Sev Kardeşim, Hale Soygazi in Gece Kuşu Zehra, and entered into the "list of unforgettables" with Hababam Sınıfı. At first, most of his roles were in romantic comedies. Later in his career, he has taken on more political and dramatic roles. The first film of this genre was Nehir, in which he shared the role with Cüneyt Arkın. Political films like Maden, Sürü, Yol and Kanal followed.
Known For

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Golden Butterfly Awards

When five Kurdish prisoners are granted one week's home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.
The Road

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Koçum Benim

The love between a man wanted by the gendarme and a woman who hid him.
Kaçak

A young and beautiful female teacher starts working in an all boys high school.
The Chaos Class Failed the Class

Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.
Vizontele Tuuba

A group of affluent private school slackers enjoy a prankster lifestyle until a tough new disciplinarian headmaster arrives.
The Chaos Class

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Siyaset Meydanı

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Gece Yürüyüşü

Three boys are having their higher education in Istanbul. In fact, they are messing around and dealing with radical politics, girls and gamble. However, the oldest discovers love, and the three realize it is time for change.
Oh Where

A shy introvert falls for the photographer who took her pictures during high school. Confused and worried, she doubts that love will elapse and can never open up to her lover. Yet she cannot runaway from love.
You're Crazy

No description available.
Ahh İstanbul

A love story between a poor man and a rich girl. The rich girl's father tries to prevent their marriage and he declares a war against the poor boy's family.
Our Family

The lives of Hacer, Ömer, Tayfur, Haydar, and Cevriye take a dramatic turn when they find a baby in the courtyard of a mosque. The group decides to take care of the baby, naming her Zeynep, and raise her as their own child. When Zeynep grows up and becomes a young woman, she falls in love with Murat, the son of Adil Bey, a businessman she meets at her high school graduation. Zeynep, who introduces herself to Murat as a wealthy person, receives an offer from him that fulfills her dreams. Thinking she cannot marry him because she lied, Zeynep begins to consider leaving Murat. Just then, Hacer, who works at a mansion, tells Zeynep that she can invite Murat and his family to the mansion on a day when the owner is not home. The entire team gathers at the house to present Murat and his family as wealthy. However, when the mansion's owners unexpectedly return home, everything goes awry.
Our Girl

A devoted portrait photographer Murat and flower-selling entertainer Zeynep, who frequently clash yet deeply love each other while working at the same nightclub, find their relationship upended after Zeynep saves mafia boss Bekir from a violent attack and is injured in the process. As Bekir nurses her back to health, he falls for her, forcing Zeynep to choose between the two lovers.
Kader Bağlayınca

When work accidents in a coal mine start to result in death, İlyas warns his colleagues working in the mine. It starts to collect signatures for the necessary measures to be taken, but the necessary solidarity among the workers cannot be established. A tent theater that comes to the region further complicates things.
The Mine

The film tells the story of a married woman who falls in love with a younger man. Nesrin is a middle-aged woman who is having problems with her husband. One day, she meets Uğur, a young engineer. The two begin a romantic relationship. Nesrin's husband eventually finds out about the affair. He threatens Nesrin to break up with Uğur. Unable to tell Uğur about this situation, Nesrin leaves him. However, Uğur and Nesrin's paths will cross again after some time.
Seninle Son Defa

Handsome yacht captain Murat and beautiful Alev are two lovers preparing for marriage. But being together is difficult because of Murat's boss.
Aflame

Laborers of the film industry have decided to march against the new censorship act in 1977. 60 years of silence in cinema was going to be interrupted for good. From actor/actresses to set workers, 400 women and men have started a 5-day-long walk to Ankara. A walk that was conceived with supportive but surprised looks of the public. The documentary tries to picture this forgotten but historical event in the light of the 100th year of cinema.
We Hit The Road

Ferit who works as a reporter on a newspaper, makes fake news about the olive oil king Hulusi. One day he writes that he adds machine oils to his oils, another day he writes that his daughter Alev hangs up with men and prints her photos. Actually the married man seen in the photos is Alev's cousin.