Tamara Crețulescu

În derivă is HBO Europe’s Romanian adaptation of the Israeli award-winning TV drama series BeTipul (In Treatment), part of a series of adaptations that also includes Czech, Polish and Hungarian versions. It explores one of the defining features of modern society, therapy, as seen through the eyes of a psychiatrist whose professional and personal life is on the verge of collapse.

In 1925 Romania, young Marie-Therese Von Debretsy refuses the flirtatious advances of her husband's commanding officer. As a result, the cosmopolitan family is reassigned to a brutally bleak and dangerous outpost on the Bulgarian/Romanian frontier where both their relationship and humanity are severely tested.

Neagu's father appears unexpectedly as he and his family prepare to leave for vacation. He is having an argument with his wife, so his father, feeling unwelcome, leaves. split between his family and his father, he tries to make the best of it.

The relationship between a younger painter and an older woman.

Based on Nicole Valery-Grossu's European best seller autobiographic novel "Bless you, prison", the film is a true story, with real events and characters. A young intellectual woman, Nicole is arrested. There follow three months of exhausting interrogation and isolation. Alone in a cell, she undergoes a spiritual experience similar to that of the great mystics.

The main characters are two "Don Juans", professional "fiancees", who travel the country in search of desperate women willing to spend money to find their soulmates.

A story about a group of friends and their choices, how to pursue their careers and personal life.

Inspired by Bedros Horasangian's series of short stories, the film focuses on the dissolution of a couple, seen from two perspectives. Episodes from the married life of a playwright mingle with their dramatized version, rehearsed on scene by a couple of actors, thus amplifying the communication issues and the distance between the partners. Featuring a simple and efficient mise-en-scéne, the film is built like a feminine monologue in two voices, counterpointed by the helpless, stubborn silence in which the two protagonists retreat.

In a devastating story rife with visual metaphors, Romanian director Mircea Daneliuc traces the slow mental disintegration of a confirmed gambler, using his disorder as an allusion to a greater national and social disorder. Set in the 1930s, the middle-class gambler meets an elderly man who seems to bring him good luck at the gaming tables. Rather than treasure his friendship and the good fortune it brings, the gambler takes advantage of his friend, and by his actions drives the man to suicide. Unable to reconcile his own mental demons, the gambler wanders through the house of his dead friend, and his experiences there only serve to unsettle his mind more and more and more. In the last reels of the film, the fantasies of the hero's deranged mind take over.

On a cement factory construction site, the chief engineer reconnects with his ex wife, time to re-evaluate his life priorities.

In New Year's Eve night, an emergency team is called to fix a tram power line. One member is missing though, he is involved in a DUI.

A young man is taking hard his parents divorce and constant absence, so he decides to work on a hydro dam project. Here he finds some relatives that serve as a family.

No description available.

Young Moldovan nobles try to overthrow King Mihail Sturdza. They plot an assassination and spread flyers. On this backdrop, there is a romance story between Franz Liszt, in tournament, and one of the noblemen's daughter, who is close to the plotters.

This film envisions the patriotic and tragic life of Romanian composer Ciprian Porumbescu.

A bunch of young people, more or less hippies, waste time at the cinema with a dull film. On-screen, a man lies on the railway and awaits his end. But at some point the screen and reality become the same. Edited without dialogue, with songs by the Velvet Underground and Nico in the background, this is a portrait of the young generation of actors of the moment.