
Alexandre Koberidze
Directing
Biography
Alexandre Koberidze (Georgisch: ალექსანდრე კობერიძე; born October 19, 1984; Tbilisi) is a Georgian filmmaker, screenwriter, editor and actor. He is currently studying cinema at the German Film and Television Academy in Berlin. "Colophon" (2015) is his first short film and was presented in Oberhausen. His second feature, "Let the Summer Never Come Again" (2017) has been to FID Marseille where it won the Grand Prix of the International Competition. In 2021 Koberidze received for his second feature film "What do we see when we look at the sky?" (2021) an invitation to the competition at the 71st Berlin International Film Festival . [14] In the almost two and a half hour long work, he again devoted himself to the “poetry of aimlessness”, as previously shown in Let the summer never come again . [15] The romance film takes place in the Georgian city of Kutaisi and is about lovers who fall victim to a curse. Although the work did not receive an award from the competition jury, Koberidze was awarded the FIPRESCI Prize.
Known For

Lisa, a photographer, has gone missing. The last known detail is that she had been photographing rural football stadiums in villages across Georgia. Her father, Irakli, sets out to search for her, traveling from place to place. Levani, Lisa's best friend – and an invisible person – also sets off to help.
Dry Leaf

Three young Georgians have to clean a castle in Berlin, where a German arms manufacturer's art collection is being set up for an exhibition. Of course, the proletariat isn't welcome at the opening party and they are banished to a servants' room in the attic. Downstairs, however, a splendid buffet attracts them - so why not just ignore the unfair prohibition and cross the line of class society? Didn't the French Revolution start over a piece of cake?
A Proletarian Winter's Tale

In the Georgian riverside town of Kutaisi, summertime romance and World Cup fever are in the air. After a pair of chance encounters, pharmacist Lisa and soccer player Giorgi find their plans for a date undone when they both awaken magically transformed with no way to recognize each other.
What Do We See When We Look at the Sky?

1928: Lyovuschka, a Soviet worker, is cast in the role of Trotsky for Eisenstein‘s latest film, but quickly finds his dreams of an actor‘s life shattered when Trotsky falls into Stalin‘s disfavor. Exiled from his homeland, he poses as a wealthy baron and finds himself stuck in a glamorous seaside resort in Germany awaiting a barge that will take him to Hollywood. A summer romance kicks off when he meets the eccentric factory owner Octavia Flambow-Jansen - it's just too bad there are vampires around.
Bloodsuckers

For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.
30th anniversaire of FIDMarseille

The story of the dog from the title, who in a frame narrative explains how he came to be transformed from an unemployed communist filmmaker into a canine with a philosophical bent. Unable to finance his new project, young Berlin-based director Julian tells foreign exchange student Camille that his job in the countryside is research for an upcoming film. When Camille offers to help, he is forced to uphold the lie. The plantation isn’t the proletarian idyll he had hoped for, but fortunately the reincarnation of Francis of Assisi provides spiritual insight and a new aim in life.
Self-Criticism of a Bourgeois Dog

A young man leaves his village to go into the city to audition to enter a dance company. He then is involved in illegal activities such as boxing and sleeping with men for money. Unwillingly, he falls in love with a man and suddenly is accepted in and starts dancing in the company. But his life will turn upside down when his lover goes to war and he returns to his village.
Let the Summer Never Come Again

Tehran 2022. While Behzad is obsessed with his neighbor’s private life and is trying to force a chance meeting with his ex-girlfriend, his wife Sima is secretly looking for an apartment for her and their teenage daughter Minoo. In the meantime, Minoo starts a flirt with Keyvan at a traffic light and casually takes the initiative.
Boomerang

From the music of Hungarian composer Mihály Vig , Georgian filmmaker Koberidze, Alexandre crafts a story of pixelated dogs on a ledge. This short film is part of the 2x25 Project of Film Fest Gent and the World Soundtrack Awards. The project commissioned 25 composers to compose a short piece of music, after which 25 filmmakers made short films that are the ultimate symbioses of music and cinematography, fitting completely within the DNA of the festival. The result: 25 exceptional films where the music inspired the form, narrative and texture.
The More I Zoom in on the Image of These Dogs, The Clearer it Becomes That They Are Related to the Stars.

Three people were sitting in the cafe when the man enters. Not all saw the donkey, he has staked out. No one could remember what he ordered. Wherever he went, and no one knew. But a short time later, three people are dead.
Looking Back Is Grace
This film, to be shot, edited, finished, and screened all within the dates of the First Look festival, is an open-ended homage to Wim Wenders's documentary Room 666. As in Wenders's original, visiting filmmakers, alone with a camera in a hotel room, will answer the question "Is cinema a dead language, an art which is already in the process of decline?" Participants will include an international selection of filmmakers visiting for First Look 2018.
ROOM H.264: Astoria, NY, January 2018

A child with a bleeding nose, sitting at the window in a bus and his young father whose nose is bleeding too. The young father tries to wipe the blood from the child’s nose, but because his own nose is bleeding too, It keeps on dripping on his shirt, and whenever he tries to wipe his own blood away, the same happens to the little boy – not about this is the Film. In the Film can be seen a Boy, a Girl, a Dog, a Boat and a River – and all this through a prism of tears in different geometric shapes.
Colophon
Zoe, a young girl nearly out of her teens, strolls aimlessly through the nights and clubs of Berlin. Longing for intimacy and security, she subjects herself to repeated, indiscriminate sex, until a chance encounter opens her eyes to another possibility - exploitation of her body. The game intrigues her for a while...
Zoe

In her autobiographical documentary, filmmaker Biene Pilavci presents her family's life, which was marked by violence.
Dancing Alone

In the 21st century, fairy tales have ambiguous endings. A great love that the whole city talked about — between a Bundeswehr soldier of unheard-of beauty and the fastest bicycle courier in town — becomes impossible because of her service in Afghanistan. A sad, yet not hopeless story about impossible love in times of war — and about a city where everyone knows everything and the façades of the houses are especially beautiful on Sundays.
Germany at War

On some pale blue dot in the Milky Way Galaxy – every day - bread is made – you will see how!
Linger on Some Pale Blue Dot

The year the snow won’t fall in December, Madonna will bear her third child and an asteroid named “Apophis” will get horribly close to earth, still flying by and giving the humankind another chance. One day early spring two young women will meet each other in Berlin, the capital of Germany to spend the evening together and on the next day in a shopping centre packed with people called “Alexa” to blow themselves up with explosives attached to their bodies and thus commit the biggest terrorist act that Germany has seen so far – the last evening is the film.
It Must Have Been Love But It's Over Now

Where should one go to do things which are forbidden? Some place where it’s dark.
The Perfect Spectator
Young people try to live a life of crime.
Man müsste Räuber sein oder wenigstens Sprengmeister

The famous director Sandro is shooting invisible films with faith in the purity of his work. Having promised the leading role of his new film to his big love, he has to face the fact that there is nothing to see in his films.