Alexey Popogrebsky

The early 1960s. The Soviet Union is experiencing a bright Khrushchev-era, full of hope. A group of young diplomats at the Ministry of Foreign Affairs come face to face with world-changing global events. Before long, these wide-eyed idealists find themselves deep in the breathtaking world of spy games, mortal dangers, and brilliant political maneuvering.

Daria Ivanova, a graduate of the journalism faculty, works for a popular weekly magazine. Despite the obvious successes, he considers the current occupation empty and unnecessary, and therefore seeks to work in the genre of investigative journalism. One day she gets the chance. And although the girl has only very general ideas about law, she really wants to make a career, and working in a popular newspaper is an excellent launching pad. In addition, Daria has a fiance – the investigator of the city prosecutor's office Anton Nikitin. Counting on his help, Daria becomes the leading "Judicial column".

Ilya lives in Moscow; Nina lives in St. Petersburg. Ilya has a beautiful wife and a daughter; Nina's husband is an artist, and they have a young son. Nina occasionally travels to Moscow to see her partners in the publishing industry. Ilya sometimes comes to St. Petersburg on business. But more often they are in the train between St. Petersburg and Moscow just to see each other. Because they have an affair.

A polar station on a desolate island in the Arctic Ocean. Sergei, a seasoned meteorologist, and Pavel, a recent college graduate, are spending months in complete isolation on the once strategic research base. Pavel receives an important radio message and is still trying to find the right moment to tell Sergei, when fear, lies and suspicions start poisoning the atmosphere...

On July 30, 2018, documentary filmmaker Alexander Rastorguev was killed in the Central African Republic. He left a unique mark on Russian cinema, but managed to do much less than he could. "Rastorguev" - a portrait of one of the brightest and most free filmmakers of our time; direct speech and fragments of films, forming a single statement about the meaning of art, homeland and pain.

A dying actor asks a doctor to help him commit suicide in return for a masterpiece.

“Bloodrop” is an experimental short directed by Aleksei Popogrebsky. Originally part of the Experiment 5ive omnibus, hence the black envelope with the picture inside, which had to be the common element of all 5 films.

Special people are living among us. Emers: a superhuman species with unusual powers. They can control human emotions but are not able to love or feel physical pain. With the Emer community on the brink of collapse, a young half-breed Denis, sets out to search for the chosen one who can save them all. He finds Kate, a girl who never experienced true feelings. Step by step, Denis deliberately reveals all the emotions in Katya: joy, surprise, jealousy, anger, despair... and, ultimately, love! After a journey filled with danger and adventure, Katya will have to decide her fate as well as the fate of the whole world.

An anthology of five films of five minutes each by five well-known Russian directors, inspired and financed by the chewing gum company Wrigley.

A widowed aeronautics engineer, who has lost his job, travels with his son hopping freight trains from Moscow to Koktebel, a town by the Black Sea, to start a new life with the father's sister.

In the society of the future, cleansed of emotions, where the manifestation of feelings is punishable by law, the meeting of the exemplary excellent student Maya with the leader of the rebels Dan throws them into the E-side - a forbidden dimension, where their feelings turn into fantastic superpowers.

Annual Charitable Christmas Evening “Action!”

Short film.

The first film by Boris Khlebnikov and Alexey Popogrebsky, shot while studying at VGIK.

The film is about Alexey Popogrebsky's film "How I spent this summer". In the film, there are no tedious reflections of the actors and the director about their film against the background of posters of the same film. But there is life itself, real, unmasked, and, despite the sea of comicality, it makes you horrified at how the Russian film process can take place…