Martin Kollár

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A character is inside a cubical room; there is a hole in the roof, which is too high to reach. But pushing on the walls distorts the room in various ways, always appearing to bring the hole closer while still leaving it tantalizingly inaccessible.

Lesya has committed a crime of passion which brings her a seven-year sentence in one of Odesa’s women’s correctional facilities. She has just given birth to her first child, and now she is entering a world populated only by women: inmates, nurses and wardens, women of all ages, wives and widows, daughters, sisters, pregnant women, and women with children too. If not for the color of the uniform, it would sometimes be hard to tell who is who.

A documentary film about the Košice swimming pool, where history came to bathe. Seen through several stories which unfolded between the years 1936 and 2002, the film captures 66 seasons at the popular swimming pool, and the same number of years in the history of Central and Eastern Europe.

A documentary about army cooks and how the everyday needs of thousands of armed stomachs affect the victories and defeats of statesmen. The film is based on eleven meals based on recipes from the Second World War till the war in Chechnya; from France through the Balkans to Russia.

A comedy documentary about the search for happiness. The Italian astrologist Lucciana can alter the destinies of people. On their birthdays they have to travel to whatever location on Earth has the ideal constellation of planets over it. They will be reborn on that day and so be able to change their nature. On the one hand, the film follows the everyday (and unchanging) life of the fortune-teller who changes the lives of people while, on the other hand, it follows five protagonists who set out to various places in the world in order to change their lives.

It is April 1945, spring begins and ends the war. German transport heading away from Bohemia.

Across the Border is a polyglot portrait of ideas about borders at the beginning of the 21st century. In an episodic journey five directors from Poland, the Czech Republic, Slovakia, Hungary and Slovenia, present their view and vision of nation, identity and Europe: By placing their personal cinematographic imprint on multifaceted portraits of their home countries, they open up a broad space for encounters with the strangers next door.

Poetic film from summertime Bratislava, reminiscent of Slovak films of the 1960s or the work of Dušan Hanák.

Peter "Koza" Baláz is a former Olympic boxer. He and his partner, Misa, live in a dilapidated housing estate, constantly struggling to make ends meet. Misa learns that she is expecting a child and decides to terminate her pregnancy. In order to earn some much-needed cash and possibly change Misa's mind. He and his manager Zvonko embark on a "tour", where success is not measured in victories, but in the amount of blows that Koza can take.

Peter Kerekes’ documentary focuses on the Bata shoe empire and the quest to find the next generation of shoe makers

Martin Kollár’s acclaimed cinematography reigns resplendent in the silent story of a man waiting for important surgery. Discovering he's facing the possibility of only having a few months left to live, Ján Kollár embarks on a journey with no destination and only a deadline.

The documentary film is not a search for the survived truth of the inhabitants of the Ruthenian village Ladomírová. It captures their subjective memories, often frozen in time and in everyday life. Only strong impressions of sadness, joy, suffering, which reflect the great history of the 20th century. There is no truth about the past, it is only the human mind that actually makes morytates - bloody enlightening stories and legends.

Part documentary, part mockumentary and part stranger-than-fiction lesson in guerilla tactics, Velvet Terrorists is a quirky profile of three very different men and their former attempts to take down the communist regime of Czechoslovakia – by blowing the hell out of it. Having all spent time in prison for their crimes, one-time bombers Stanislav, Frantisek and Vladimir muse on their personal histories, the fall of the regime and their journey into middle age.

A documentary film from the refugee camp in Belgrade. Hundreds of Kosovo Serbs and Roma have been living temporarily for years on the deck of the Pinki sports hall, and next to them, often separated only by glass, Belgraders relax and play sports.

A country awakens from a deep winter sleep. An incomprehensible and absurd world slowly unfolds before the camera, imbued with strangeness, even though we are familiar with its sounds, rhythms and colours.