John Ashmore

After Debbie Smith was raped, she didn't take the law into her own hands. She wrote the law... Based on a true story. In 1989, Debbie Smith was living a quiet life as a housewife with her police officer husband, Rob and their two kids, but one day it's all shattered. While her husband slept upstairs, Debbie was dragged from her kitchen in broad daylight and brutally raped in the woods. After going through the dehumanizing rape-kit, she waited with fear and paranoia. Six years later, her rapist was caught through a chance DNA test. After learning how many rape-kits go untested and how long women wait to get justice, Debbie makes it her mission so no more women will suffer the long wait to get justice.

A woman is convicted of killing her friend and boyfriend in the heat of passion even though she is defended by a top lawyer. She flees after the trial in order to learn who framed her.

Leslie is a busy event planner who recently lost her husband and business partner. Thankfully, her responsible teenage daughter, Ava, is a huge help at home, keeping an eye on brother, Ryan, while Leslie works long hours. But Leslie doesn’t know that Ava is swiping Ryan’s ADHD medication, abusing the meds not only to help her excel at school but also to use them as a party drug with her new, dangerous friends led by Madison. When Ava goes missing and is implicated in a hit and run that has put another teen in the hospital, Leslie must uncover all the secrets her so-called “perfect” daughter has been hiding from her if she hopes to bring her daughter home safely. Christy Bruce, Keara Graves star. (2022)

A pill-popping, over-caffeinated driver accidentally hits something. Panic-stricken, he searches for help in a strange and desolate town that offers very little in the form of human kindness.

Three childhood friends graduate from university and try, against steadily increasing odds, to enjoy one last summer of immaturity.

Anna (Laurie Gagné) is going through a particularly stressful time: she is preparing to reconnect with Jason (Thomas Lapointe), the son she was forced to place for adoption almost 20 years ago. Unable to go through with this meeting, she takes refuge, clandestinely, in the house of an elderly couple. A dramatic event changes everything and forces Anna to forge an impromptu relationship with Victorine (Louise Turcot). The strange cohabitation of these two women will help them find the courage to face their trials.

No description available.

A mysterious caretaker (Marc Forget) threatens a troubled couple (Chris Ferry, Natalia McLennan) on a getaway in the snowy mountains.

A shy nurse is bitten by a zombie and becomes a flesh eating sex kitten. GRAVEYARD ALIVE is a cross between 1920's German Expressionism and 1960's B-horror films. Shot in and around the Montreal area, this is Bastard Amber Production's first full-length feature. The story follows Patsy, a lonely, dreamy nurse who, after being bitten by a zombie, becomes a sex-kitten. With her newfound powers, she tries to win back her old flame, the suave and handsome Dr. Dox, from Goodie , a bitchy young nurse. As the film progresses, Patsy must also learn to deal with her new affliction and to live her life, no longer in her romantic dream world, but in a harsher yet ultimately more satisfying reality. Shot in Techniscope with a 1:2.35 aspect ratio, an old process used in many 1960's films such as Dario Argento's "The Cat O' Nine Tails", GRAVEYARD ALIVE promises to invigorate the horror genre stylistically as well as with its audacious and thought-provoking content.

This Heritage Minute follows the life of Onondaga long-distance runner Gagwe:gih, whose name means “Everything.” Known around the world as Tom Longboat, he was one of the most celebrated athletes of the early 20th century.

No description available.

A young man's motionless journey between dream and reality.

Built around 3 portrait sessions where young people become photographers before giving their lives during various suicide operations, LE PETIT OISEAU VA SORTIR attempts to present the contrast between the banality of the photographic gesture and the seriousness of the gesture that the 3 main protagonists are preparing to perpetrate.

Three young boys decide to confront their school bully, only to discover his hidden reasons for bullying others.