Marina Redžepović

A teenage girl decides to replace her controlling father with his wealthy foreign friend during a weekend trip to the Adriatic Sea.

Anamarija starts her job as a counsellor at a new school. Together with her, the viewers begin to appreciate what kind of people the staffroom teachers are, they witness the petty conflicts and also uncover the power games that go on behind the scenes. This self-assured debut from Sonja Tarokić about the individual's struggle within the system and the sheer effort required to preserve one’s integrity, also presents a complex study of an institution whose employees have taken on one of the most responsible roles an adult can have – to educate future generations.

Croatia, seven years after bankruptcy. There is a fight going on in the world - water has become more precious than oil. In order to get hold of it, the powerful are ready to start wars, conquer, destroy, and even plant a zombie-virus. Mico, a bon viveur from Zagreb, whose daily routine includes massage parlours, restaurants and cinemas, where he watches a movie series featuring his favorite actress Franka Anic, is caught completely off guard by the zombie-epidemics. Nevertheless, he boldly embarks on an Odyssey accompanied by his movie heroine, with one highly unattainable, goal: to survive.

Dusan and Laza are traveling through Eastern Serbia to Belgrade. Terminally ill, Dusan has to find a new home for his son Laza, to whom Dusan is all he has.

2009, Slovenia. For 30 years, Alija, the miner, has been one of the many Bosnian immigrant workers. Due to the crisis, miners are losing jobs. Alija is sent to check an abandoned mine. His task is to quickly make sure the mine is empty before management sells the company. But in the mine, Alija finds hidden proof of executions after WWII. He is told to stop digging and report the mine empty. He decides to continue, although he is risking his job. Alija discovers thousands of executed people. He informs the police. He found women among the dead. Some of them were civilians, missing persons, just like his sister that was lost in the 1995 genocide in Bosnia. Alija is convinced the victims need to be brought out, identified and buried. But there is no interest in doing that. The mine is proclaimed a WWII military grave and walled in. The dead will stay unburied. Alija loses his job and struggles to preserve his dignity.

After their son has been beaten up in the street, parents find their world of false security collapsing and have to re-examine their lives and question everything into what they believed.

Maks is a brilliant lawyer who has been serving for years one of Croatia’s most powerful and ruthless businessmen, who made his fortune in the aftermath of the Balkan War. Maks’ latest service has been to have his client declared innocent of the murder of two of his workers for acting in self-defense. But the sudden appearance of a former girlfriend triggers a crisis of conscience in Maks, leading him to confront his employer and risk his life by uncovering a dense network of corruption at the highest level involving all branches of the State.

17 year old Noah arrives to Croatia, where his mother was sent for work. We follow him endeavoring on the journey of integration into new society, through the subplots of love and friendship.

In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.

After the death of her father, young scientist Ana struggles with an identity crisis, being the last member of a once large family. The changes inside her are suddenly reflected in reality – loneliness, crisis, emigration – and her scientific research on mystical symbols and human traces left in stone are mysteriously intertwined with her life.

The Trampoline is not a romantic love story - it is a film about a powerful and sometimes double-edged love, and the darker side of a mother-daughter bond that has been stretched to breaking point.

The movie "Swineherds" is a satirical anti-musical which deals with the phenomena of the media sensationalism that trivializes even the most serious and the most painful subjects. The movie depicts the phenomenon of media manipulation, mass hysteria, thirst for fame and people that will, more than ever, do whatever it takes to keep their fifteen minutes of fame.

Croatia, 1991. Two sisters prepare a special homecoming for their father on the day he’s set to return after three months as a prisoner of war.

Andro comes to his hometown for a summer vacation and meets two friends from his youth — Toni has become a father, Franko is stuck in his old ways, while Andro drifts somewhere in between.

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Filip and Livija are son and mother. When, at the urging of Livija's younger boyfriend Roko, they steal the dog of the famous Croatian singer Severina, a long-kept secret of Filip's comes to light, prompting Livija to reconsider the way she raised him.

Two friends on summer vacation on the island of Pag. While Marta is trying to get over a break-up, Lana is starting a new affair.

Oleg is a film student who leads a spartan life surrounded by analogue technology. A librarian during daytime, Marta is an avant-garde novelist who works with alternate subjectivity. Narrated from each of their perspectives, Čučić’s film recounts a romance that never ceases to take new shape.

Three sisters are desperate to escape from their family home in rural Croatia. They want to get away from their passive father and overbearing mother, who is feuding with the next-door neighbour over land ownership.

Željka’s younger sister Silvija begs her to let her spend the night, because their mom has just read her shameless blog and she doesn't want to go back home. The next morning, Željka takes Silvija and her best friend Danica to a TV studio where she works as a make-up artist. While getting ready to return home and face their mom, the two sisters exchange some pearls of wisdom about life.