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Schmelzdahin

Directing

Biography

Schmelzdahin (melt away) is a film group which worked in Bonn between 1979 and 1989. Members: Jochen Lempert, Jochen Müller, Jürgen Reble.

Known For

Luzern Viper
N/A

A Schmelzdahin short wherein a print of a portion of Nosferatu (including the iconic shot of the vampire on the boat) has been degraded and abstracted through the bacterialogical decomposition, disintegration, and chemical processes Schmelzdahin would use.

Luzern Viper

1988
English for Today
N/A

No description available.

English for Today

1983
Bielefeld Lichtwerk
N/A

A found footage experiment made using an excerpt from the film Taranula! (1955)

Bielefeld Lichtwerk

1998
Stuttgart Filmwinter
N/A

Degraded found footage of a silent comedy.

Stuttgart Filmwinter

1987
Theater '85
N/A

No description available.

Theater '85

1985
The Flamethrowers
N/A

Matthias Müller’s films are always about both the eternal and the volatile qualities of cinema. They exaggerate the unreality and clinical perfection of the Hollywood studio films of the 1950s, quoting its sets and colours (Home Stories, 1990; Pensão Globo, 1997) or even reconstructing them in minute detail (Alpsee, 1994). But, at the same time, these attributes, known in film jargon as the production values, are exposed to decay – a decay which on closer inspection proves to include wilful acts of creation. As his own lab technician, Müller is responsible not only for subsequent wear and tear, but also for the initial developing of his own film material.

The Flamethrowers

1989
Schildmeyer Darlaten
N/A

In 1988, we watched a lot of horror movies, with curiosity. A few images of monsters were taken that were mixed with shots taken from TV, movies, and a sequence of a porn movie. Some of this material has been treated with corrosive chemicals. The monsters started a new life and it seemed that the film had been lost. But a hedgehog put an end to the nightmare and brought us back to the original fire.

Schildmeyer Darlaten

1988
Stadt in Flammen
5.7

Film material is subjected to biochemical processes by burying it in the garden, storing it in a pond, or overheating it. The results of these natural processes of decay or aging are then copied back onto film and thus conserved in the state of their dissolution. - Lightcone

Stadt in Flammen

1984
Jerry Cotton
N/A

No description available.

Jerry Cotton

1984
Jameln Cafe Grenzbereiche
N/A

A found footage experiment made using footage from a 50s disaster film. Slowed down audio and lots of distorted textures are present.

Jameln Cafe Grenzbereiche

1998
E.R.
6.5

Short film by SCHMELZDAHIN

E.R.

1986
Onkelschrompel
N/A

Short film by SCHMELZDAHIN

Onkelschrompel

1986
Situs wie Jod iset ab ernit
N/A

Short film by SCHMELZDAHIN

Situs wie Jod iset ab ernit

1986
Dallas
N/A

No description available.

Dallas

1983
Die lange Nacht der Kaiserpinguine
N/A

No description available.

Die lange Nacht der Kaiserpinguine

1984
Spärlich gelungener Wurf mit bösem Löffel
N/A

No description available.

Spärlich gelungener Wurf mit bösem Löffel

1983
Der Empfindliche
N/A

No description available.

Der Empfindliche

1986
Hannover Kommunales Kino
N/A

Another film made using roughly the same footage as Bremen Lagerhaus, this really showcases the uncontrollable and chaotic nature of the Schmelzdahin process.

Hannover Kommunales Kino

1988
Berlin Arsenal
N/A

13.06.1988

Berlin Arsenal

1988
Köln Stadtgarten
N/A

08.04.1988

Köln Stadtgarten

1988