Yavuz Pekman

With Istanbul mired in political violence, Kadir is offered release after 15 years in prison if he’ll work as an informant. In a shantytown he stumbles upon his brother Ahmet, working for the city rounding up stray dogs and shutting himself in his home.

36-year-old Alis starts living in his car after his father kicks him out of the house. He shaves on the street, eats the food his mother brings over to his car, and applies to job adverts that his mother marks in the newspaper for him. After a series of rejections, he finds himself working door-to-door marketing Karnaval brand carpet cleaners. An unusual bond forms between Alis and "Karnaval". Karnaval even moves in with Alis occupying the front seat of his car. In this new adventure of his, Alis meets a wedding cake-maker named Demet. She lives with her father ever since her mother's death, and dreams of hopping on her motorbike and moving to Istanbul where she would open up a bakery shop

A chance meeting on a train in the Turkish countryside leads two women to a journey that shows them the importance of setting a path for one's life.

A harmonious comedy, not with subtle references, but with dialogues flowing in empirical (made-up) Byzantine derived from our language, this is a classic. The conversations between Justinian and Theodora, the plans of the revolutionary greens who are after Justinian's death. You will want to watch this palace comedy, which has left its mark on our memories with the conversations in the Gothic language and the gossip of the guards, over and over again…

Ali and Meryem are an ordinary family on the face of it. Meryem has a child from a previous relationship with Ferit. When Ferit reappears years later, Ali puts his wife to a test of trust. While Meryem is caught between her sense of gratitude and the agony of love, Ali's self-esteem begins to crumble. Ferit's murder fans the flames of distrust between them. They are too suspicious of one another to talk. During the police questioning, they cling to one another once again. Complicity becomes the glue of trust between them. Now they are a proper family.

A young girl working in a textile workshop is desperately trying to save money to make her father quit his job and find an apartment together with her. But her father does not seem to be the person she wants him to be.

While Beckett centered on existential matters in "Waiting for Godot," Şensoy authentically adapted this play to address and mock the oppressive and fascist authorities in "Godot Go Home."