Malga Kubiak

Ewelina Janiszewska Smolianka Stolnikowna Smolenska & Willhelm 2ed The Hunter, Malga Kubiak great grandmother 1862-1886.

I am so endlessly alone. Whats my illusions, whats my odds, and illusions have to be killed, I don't have more time to destroy. Is my loneliness real and is my longing about what? Then who are this people?

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Lizzy Siddal 1829-1862, Pre Rapahelites model, addicted to Laudanum, marry Gabriel Rosetti.

The story revolves around a group of teenage boys. When one of them suddenly gets a chance to make a pact with the devil things shift quickly in their lives.

This film shows the last days of Pasolini’s life that he spent in Stockholm. He was invited to visit the Institute of Culture and give an interview in the Swedish Film Institute. Together with his boyfriend Ninetto they stayed in Diplomat Hotel. Where he was murdered at 1.30 a.m. on 2nd November; 1975.

Depicts Carl Andersens uncommon art and life. Born in Vienna, the capital of Austria in 1958, he participated in the development of Viennas subculture through his bar called "Fun Factory". It was a unique place to have some cheap drinks, see strange movies and join concerts in the cellar. He also influenced the Viennese film community by bringing art house and underground movies, like "Liquid Sky" (1982), or "The Texas Chainsaw Massacre" (1973) in uncut versions to the theaters. As he was a film maniac he started to direct movies by himself. His first two movies "I was a Teenage Zabbadoing" (1988) and "Mondo Weirdo - a Trip to Paranoia Paradise"(1990) became underground classics. In the late 80's Andersen went to Berlin. There he directed and produced more than 10 No-Budget movies. Diffic ult relationships and the process of filmmaking itself were his main themes. He got lost in alcoholism and committed suicide in August 2012.

Masks on Yukio Mishima are spectacles of crossing the lines. Mishima crossed the line with the life he led and death he had chosen. Text of Mishima are beats of beauty and signs of love. Director looks into eye of reality. We the viewers have no interest in atomic bombs, dead people, forced love. What is left to us? Military drill, suicide or possibly love? Masks take you farther, Kubiak takes no compromise, Masks are bloody long expressive; give the questions and no straight answers. She lets you look at it and finally rips of the mask after the mask. You might get your vulnerability back.

EPOKALIPSA uses narrations from Vlado Butler books, and very short of Malga Kubiak’s own book OMS.

A collage of contemporary queer culture in Poland. Rough, iconoclastic, shocking work and staged excerpts picking up the issue of freedom of expression and sexuality.

Malga Kubiak stars in her exploration of sex and self. One woman's love to her own body interlaced with maggots; mixes x-rated porn. Voyeuristically titillating this avant-garde study of horrors of sex.

A documentary about Malga Kubiak and her team. It's not only a movie about her, but also about the situation of independent, lesbian and queer cinema in Poland, Europe and all over the world. Malga is a director, activist, mother, daughter and grandmother. Her family is constantly engaged in her work. She made over 40 movies about such queer icons as Pasolini, Annemarie Schwarzenbach, F.G. Lorca, Andy Warhol or Lizzie Siddal, the muse of Pre-Raphaelites.

During his half year in Budapest Raoul devoted everything to his true self. He has lost borders, he has gained courage and created devoted team; together they achieved the impossible. They became few of the few to error the final solution.

18 vignettes about the final moments of various Swedes before the end of the world.

An autobiography of Polish artist Malga Kubiak in praise of everything aesthetically in your face, confrontational, against the grist of good bourgeois taste and sense – punk camp trash, tacky, cheesy, cheap and maybe even treacly. An epic ego trip which turns one person’s experience into a tale of many.

Every lover is an apple but not every apple is a lover. FGLND on Federico Garcia Lorca (1898 - 1936) courage & passion filled life, work and death.

Black crime comedy dogma in game-girl. Film directors couple struggle to make a film, the man is a neurotic alcoholic, the woman is a bisexual nymphomaniac. Raid drivers loose the car. Thieves are in action, everybody tests coke, etc. The End is romantic deadly decadent.

The dancer who almost vanished from history — brought back in a storm of dreams and rebellion. Lucia Joyce, the brilliant but forgotten daughter of James Joyce, moves through a world that refuses to let her be free. Lucia Joyce & Flappers is not a simple retelling of her life — it’s a radical resurrection. In a hypnotic blend of memory, fantasy, and historical imagination, Małga Kubiak reclaims Lucia’s voice, her body, and her fierce, uncontainable spirit.

In this hypnotic continuation of PPPasolini, filmmaker Małga Kubiak explores the dreams Pier Paolo Pasolini never got to realize. While the first film imagined his final hours in a surreal version of Stockholm, Epilog takes us further—into the world he longed to escape to. Pasolini had planned to move to Morocco, to live, write, and disappear from Italy’s gaze. But his death ended that story too soon. PPPasolini Epilog is the imagined afterlife of that plan: a haunting, sensual film filled with echoes of Petrolio, his unfinished novel, and reflections on exile, desire, and creation.

The radical Polish director Małga Kubiak is regularly represented with her films at the Pornfilmfestival Berlin. In 2016 we showed “Andy Warhol to se vrati: boyz” and in 2019 followed “Federico Garcia Lorca Noir Despair”. Last year she was in the festival program with “Xreens”. In her latest film “D’Vinci”, the filmmaker again reflects on a famous artist. As expected, it did not turn out to be a typical biopic, and Kubiak dives deep into the meaning that her films and her way of working have and had for herself and for others – as always in her incomparable no-budget style. In today’s conservative Poland, her way of making films is no easy feat.