Directing
- Hey Angel, I am a beautiful man who does not believe in anything. We are at the end of XX century and nothing happens.
Masks on Yukio Mishima are spectacles of crossing the lines. Mishima crossed the line with the life he led and death he had chosen. Text of Mishima are beats of beauty and signs of love. Director looks into eye of reality. We the viewers have no interest in atomic bombs, dead people, forced love. What is left to us? Military drill, suicide or possibly love? Masks take you farther, Kubiak takes no compromise, Masks are bloody long expressive; give the questions and no straight answers. She lets you look at it and finally rips of the mask after the mask. You might get your vulnerability back.
I am so endlessly alone. Whats my illusions, whats my odds, and illusions have to be killed, I don't have more time to destroy. Is my loneliness real and is my longing about what? Then who are this people?
A family travels through Egypt in 6 months.
18 vignettes about the final moments of various Swedes before the end of the world.
Malga Kubiak stars in her exploration of sex and self. One woman's love to her own body interlaced with maggots; mixes x-rated porn. Voyeuristically titillating this avant-garde study of horrors of sex.
An autobiography of Polish artist Malga Kubiak in praise of everything aesthetically in your face, confrontational, against the grist of good bourgeois taste and sense – punk camp trash, tacky, cheesy, cheap and maybe even treacly. An epic ego trip which turns one person’s experience into a tale of many.
A collage of contemporary queer culture in Poland. Rough, iconoclastic, shocking work and staged excerpts picking up the issue of freedom of expression and sexuality.
EPOKALIPSA uses narrations from Vlado Butler books, and very short of Malga Kubiak’s own book OMS.
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The dancer who almost vanished from history — brought back in a storm of dreams and rebellion. Lucia Joyce, the brilliant but forgotten daughter of James Joyce, moves through a world that refuses to let her be free. Lucia Joyce & Flappers is not a simple retelling of her life — it’s a radical resurrection. In a hypnotic blend of memory, fantasy, and historical imagination, Małga Kubiak reclaims Lucia’s voice, her body, and her fierce, uncontainable spirit.
Every lover is an apple but not every apple is a lover. FGLND on Federico Garcia Lorca (1898 - 1936) courage & passion filled life, work and death.
Lizzy Siddal 1829-1862, Pre Rapahelites model, addicted to Laudanum, marry Gabriel Rosetti.
The story revolves around a group of teenage boys. When one of them suddenly gets a chance to make a pact with the devil things shift quickly in their lives.
Raoul Wallenberg born 1912 Stockholm is send to Budapest 1944 July. His job is to save Jewish from Holocaust, his methods are non conventional. January 1945 arrested by Russians at Budapest Siege. Man who saved lives never returns home.
Black crime comedy dogma in game-girl. Film directors couple struggle to make a film, the man is a neurotic alcoholic, the woman is a bisexual nymphomaniac. Raid drivers loose the car. Thieves are in action, everybody tests coke, etc. The End is romantic deadly decadent.
During his half year in Budapest Raoul devoted everything to his true self. He has lost borders, he has gained courage and created devoted team; together they achieved the impossible. They became few of the few to error the final solution.
Ewelina Janiszewska Smolianka Stolnikowna Smolenska & Willhelm 2ed The Hunter, Malga Kubiak great grandmother 1862-1886.
Andy Warhol's sex, life and death and work. Andy Warhol's Films are not pornography, they are an experiment.
In this hypnotic continuation of PPPasolini, filmmaker Małga Kubiak explores the dreams Pier Paolo Pasolini never got to realize. While the first film imagined his final hours in a surreal version of Stockholm, Epilog takes us further—into the world he longed to escape to. Pasolini had planned to move to Morocco, to live, write, and disappear from Italy’s gaze. But his death ended that story too soon. PPPasolini Epilog is the imagined afterlife of that plan: a haunting, sensual film filled with echoes of Petrolio, his unfinished novel, and reflections on exile, desire, and creation.
