Masakazu Kuwayama

A newlywed wife suffers the consequences for her husband’s actions when he cheats a customer at his credit company out of a large sum of money.

No description available.

Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.

A woman named Chieko Kuwano is hired as an assistant manager at a large corporate office in Japan. She’s smart, sexy, and willing to do almost anything for her sex-starved new boss but, since he’s married, his deviant behavior makes her uncomfortable. Fed up with the boss and his perverted ways, the ladies in the building band together to enact their own special kind of revenge… that is, after they have a lesbian three-way slumber party, of course!

Depicts the bloody siege of the fortress of Port Arthur, one of the most strongly fortified positions in the world, during the Russo-Japanese War of (1904 - 1905). In the story dominated the character Lt Takeshi Kogyo (Teruhiko Aoi), teachers, and a reserve officer who became commander of the platoon and later company. At the same time monitors the conduct of the army commander general Nogi (Tatsuya Nakadai), which was commissioned of the emperor Matsuhito (Toshirô Mifune) to the conquest of the fort.

A woman, Tome, is born to a lower class family in Japan in 1918. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.

A blind traveling musician is abused and oppressed wherever she goes, even as the modern world imposes change around her.

On a Tokyo dump’s shantytown edge, interwoven vignettes follow residents scraping by: a boy who “drives” an imaginary trolley, a homeless father and son designing a dream house, a young woman brutalized at home, drunks, schemers, and saints of small kindnesses. Kurosawa crafts a ragged mosaic of hardship, fantasy, and flickers of grace that keep people moving forward.

Masao is falsely accused and jailed for the murder of a loanshark to whom he owed a lot of money. His sister Kiriko makes the long trip to Tokyo, specifically to accost Otsuka, Japan's top criminal defence lawyer, and plead with him to take her brother's case. They live in Kitakyushu which, though a city, she contends that the local lawyers are not up to the job. Otsuka contemptuously brushes her off. A year passes. Masao has suicided in jail, his appeal having failed due to the lack of interest and competence of the local defence lawyer. Kiriko returns to Tokyo, planning revenge on Otsuka for refusing the case and causing her brother's death.

Utae and Aiko attend an all-girl private school where the devoutly religious principal seems to be raping some of the students, including Utae.

In the summer of 1947, various men and women gather at a mansion in the countryside at the invitation of Kazuma Utagawa. They are artists, novelists, poets, painters, playwrights, actresses, etc. Then the murders begin, one after another. The incident seemed to have no continuity...

After a passenger ship sinks in 1954, Go Akutsu devises a life-saving project in the form of a tunnel under the Tsugaru Strait. While working on this project Akutsu becomes involved with Tae Makimura leading to his estrangement from his wife.

Like a girl runaway, Tsuyu moves to Osaka to work as a bar hostess. She meets the owner of a model school, Yoko, and seriously thinks about becoming a fashion model. Yoko tells her that she can move in to Yoko’s house to take lessons, while making a living at the same time.

Based on a 1956 television feature on Japan’s national network, NHK, this is one of Uchida’s rarest films. A socially conscious drama with a contemporary backdrop, Dotanba focuses on the attempts to rescue a group of trapped miners. The title is a figure of speech — (essentially “last minute” or “eleventh hour”) — that refers to a situation of peril. The film boasts a script co-written by Uchida and Akira Kurosawa’s frequent screenwriter, Shinobu Hashimoto, and stars Kurosawa’s frequent star Takashi Shimura.

As Japan is preparing to host the Olympics, a gang member wanting to go to America is sought after by the police after helping his friend conduct a robbery.

When her only relative, her elder brother is accused of robbing and murdering an old woman loan-shark, pretty, young Kiriko travels from her home in Kyushu to Tokyo to get Japan's top lawyer to defend her brother. Unfortunately her naive idealism is shattered when the lawyer refuses to take the case based on her insufficient funds. What follows is a long determined revenge plot that sees the heroine become a Tokyo bar hostess and worse to punish the lawyer. The plot thickens with another murder mystery and a sleuthing reporter.

Shochiku's popular series of gang films, this one has the hero returning from prison bent on revenge. He runs into Chinese hoodlums, blackmailers and gold-smugglers. But he also aids and abets young lovers yet, despite his help, their love ends in tragedy and he tracks down his prey in Kobe.

Struggling with his true emotions, dreams, memories of the past and the reality Shizuo is about to marry, but is torn between his wife-to-be and the love to his mother.

No description available.

Rokurō starts a part-time job on a fishing boat, but the ship has an engine failure in the middle of the Pacific Ocean.