Acting
Werner Eduardo Schünemann (born February 21, 1959) is a Brazilian actor, director and screenwriter.
Julius is a photographer working as a men's magazine photo retoucher. His wife, Marcia, is a criminal lawyer who defends Teodoro, a squatter accused of murder. For years they had a quiet wedlock. However, Marcia gets involved with her client, and as revenge, Julius sleeps with Ana Maria, a friend of their daughter Guida. From this episode on, their lives are no longer the same.
The story begins in 1951 in Kubanacan, a small Caribbean island country known as a"banana republic", both for its prime export and its economic problems. After the death of the current president, General Carlos Camacho imposes a coup d'état and establishes a dictatorial regime. In addition, the new ruler marries the wife of her predecessor, Mercedes, first lady loved by the people for her help to the poor and with whom she had an affair for years. In the village of Santiago, a mysterious man falls from the sky during a storm with a chest shot, being saved by the fishermen and cared for by Marisol. Without memory, Esteban falls in love with the girl and disputes his heart with her husband, Enrico, who leaves and lets his ex-wife live with the new love, who takes over her two children. Seven years later, in 1958, Marisol meets Camacho, who convinces her to leave and live as his mistress, claiming she would never get out of poverty in the village.
Children of arch-enemy families in the city of Ouro Negro and separated as teenagers, Miguel and Letícia meet again 30 years later, without knowing who the other is.
Winner of the International Emmy Award for Best Telenovela, "Side by Side" focuses on two women of different origins and social classes. The brave Isabel, daughter of a former slave and in love with the capoeira player Zé Maria; and Laura, descendant from a wealthy family and destined to an undesired marriage to Edgar. In addition to an unshakable friendship, the two share the same purpose in life: the conquest of freedom in the conservative society of Rio de Janeiro of the early 20th century.
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In Ambitious Women, all levels of ambition are revealed in a plot full of greed, revenge and struggle for power, through the conflicts of three strong women with very different personalities.
An ambitious young woman with a traumatizing past targets an Italian man, the distant son of a wealthy Brazilian family.
In imperial Brazil, a young woman stripped of her reputation is forced into exile from polite society. Recasting herself as Madam Beja, she builds an elite pleasure house that becomes a hub of political intrigue, economic power, and forbidden desire, using charm, intelligence, and ruthless strategy to bend the same men and institutions that once destroyed her.
Tancinha is a charming fruit seller known for her hot temper who gets torn between an explosive relationship with passionate truck driver Apolo, her neighbour and childhood sweetheart, and an irresistible attraction for Beto, a lady-killer who will not take no for an answer. The girl ends up being caught up in a family feud over the disappearance of her father whom she believed to be dead. Tancinha will leave a path of turmoil along her way to unveil this mystery.
The plot tells the history and daily life of the Lemos Family between the 1920s and 1940s. Júlio works in a fabric store and has the ambition of getting rich to offer his family a good life. His wife, Lola, does everything she can to keep her family together, because she believes that this way they can move on.
Beleza Pura is a Brazilian soap opera produced and broadcast by Rede Globo from February, 18 to September 12, 2007, with a total of 179 chapters. It replaced Sete Pecados, by Walcyr Carrasco at the 19h timeslot. It was written by the newcomer Andrea Maltarolli and co-written by Emanoel Jacobina, Ricardo Hoffstetter, Daisy Chaves, Flávia Bessone, and João Brandão, with text supervision by Silvio de Abreu, and general direction by Rogério Gomes.
The miniseries chronicles the history of Acre, the last region to be annexed into Brazilian territory. For many years, the state—formerly part of Bolivia—attracted people from Brazil's Northeast and from abroad who left their hometowns in search of a better life through latex extraction. The relentless pursuit of new extraction sites took a toll on the natural environment, which was increasingly exploited in a predatory manner, and brought poverty to the region. The miniseries depicts this entire process, spanning a century, through three central figures: Galvez, Plácido de Castro, and Chico Mendes.
When the men go to war, the women also battle. This tale takes place in the XIX century, during a terrible civil war. Italy’s revolutionary leader Garibaldi must choose between two loves: a sweet aristocratic lady or a brave woman who leaves her husband to accompany him into battle. This super-production recounts the saga of women who do not go to war but must bear pain, solitude and new passions while their husbands and fathers fight the battles.
After the breakthrough success of 'The Cariocas', the spin-off 'The Brazilians - The Women' embraces all the diversity of Brazil and its women. Powerful, fragile, funny, protective, beautiful, talented, insightful, and especially unique; they all have a certain charm. No matter what their birthplace, age, lifestyle or preference, these remarkable women have one thing in common: they are Brazilian. Brilliantly witty and entertaining, every independent episode provides an exclusive look at the life experiences of the women who inspire everyone.
The selfish Dr. André Luiz dies and awakes in the limbo called "Umbral". After a painful period in the gruesome swamp, he is rescued and brought in a white light to "Nosso Lar" (meaning "Our Home"). He finds a place of harmony, where people live in peace awaiting
34-year-old Pamela is a small and shy woman. She works at the cash register of a supermarket. She attends a religious temple led by a Brazilian minister. She periodically visits her autistic mother. She is an anonymous character, leading a meaningless life. Suddenly, a miracle occurs. Messages of a marvelous destiny start to reach Pamela in unusual ways: a client, a gentle and charismatic transvestite, her own mother, dreams, bar codes, real and imaginary signals. The Savior of the Next Millennium is apparently on his way and everything indicates that she, being a virgin, is carrying him on her entrails. Impelled to face herself, Pamela undertakes an inner voyage. A paradoxical voyage: the more mystic she grows to be, the more human she becomes.
In a morgue, the corpse of a young man that suddenly died on the streets probably due to a heart attack will be examined by the coroner Elizabeth (Letícia Spiller). She questions with her colleague the death of a person so young and handsome, but the brain of the dead man somehow is working and he falls in love for her. Meanwhile, a deranged man invades the morgue and threatens Elizabeth with a gun, with the witness of the dead man, who is immobilized (since he is dead) and unable to help her.
Chitão is a man who ended up getting too much into the culture of social networks. So much so that, after being arrested for a bizarre psychotic break that made him nudge people on the street, Chitão was instructed to look for a psychologist to help him get rid of his Facebook addiction. However, things do not go as expected and Chitão begins to take the ideas of the social network and computers into real life.
The friendship between four men is at stake when one of them is invited to work in another city. But the other three decide to go along.
