Richard Rüdiger

Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Filmed during the annual 24-hour endurance race at Le Mans, Michael Delaney is a Porsche driver haunted by the memory of an accident at the previous year's race in which a competing driver was killed. Delaney also finds himself increasingly infatuated with the man's widow.

Dagmar Croner is a dedicated stewardess, who takes care of her passengers. She passes the exam to become a purser. She meets business travelers and tourists experiencing amusing and sometimes dramatic events on board.

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Norbert Lang inherits a hotel and has to deal with a multitude of problems at the end of the year. There's the pushy singer who wants to get closer to him than he'd like. The staff quickly takes off after arguments. When the heating starts acting up, he has to hire a repairman. But the repairman shows up with unexpected backup and causes even more chaos.

For Count Egge, there is only one meaningful way of life: living in the magnificent natural surroundings of his mountains. Only hunting matters to him; he even neglects his own children for its sake. Inevitably, this leads to conflicts that result in tragic alienation within the family. These conflicts continue even after the youngest son, Willy, is found dead and Count Tassilo, the eldest, breaks with his father, whose stubbornness he can no longer bear.

A girls only hotel in Austria, run by a man-hating grandmother. Her daughter and three pretty grand daughters are chased by men, nevertheless (and chase the guys themselves), so everything is back to heterosexual normality in the happy ending. It's a musical.

Pauline Pittelkow, a widow in her prime, lives in Berlin with her daughter Olga and her younger, still unmarried sister Stine. No one takes offense at the fact that the righteous woman has had an older count as a lover for years. For an evening together, the count brings a baron friend, his nephew Waldemar von Haldern and the actress Wanda. Waldemar, raised in a cold home, and the smart, solid Stine develop a deep, earnest affection for each other. The wise-beyond-life Mrs. Pittelkow does not look kindly on this ill-mannered union. She thinks that a light love affair is acceptable, but deep feelings cause pain. Despite all tradition, Waldemar wants to take Stine as his wife. The resistance of his family and Pauline drives him to take a momentous step.

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