Directing
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Martin and Constanze retreat to a secluded holiday home in northeastern Germany for his 60th birthday - he yearns for fishing and fine dining, she a lavish city party. En route they meet Gaby, the local innkeeper. Joined by Martin’s old friend and his young mistress Lene, they toast and rejoice, until a stranger knocks, pleading in an unknown language for help.
All Creatures Welcome explores the world of hackers and nerds at the events of the Chaos Computer Club, Europe's largest hacker association. The film dispels common clichés and draws a utopian picture of a possible society in the digital age.
Anton Spielmann (18) and his two younger friends Basti Muxfeldt and Jonas Hinnerkort are living in their family homes with their parents in an idyllic village close to Hamburg. The three of them founded the band 1000 Robota. The band has an ambitious aim: „We want to cause creation not to remind of it”, and they want to live up to their ideals. In a society affected by economic pressure 1000 Robota are questioning themselves and others and they don‘t want to meet other people‘s expectations. In a world of excessive supply they are looking for significance and want to unite with others to create a new way of youth culture. But soon they have to face some serious difficulties.
For 14 years Johanna and Boris live as a couple. Looking for her purpose in life, Johanna visits a seminar of the alternative community "Center for Inner and Outer Peace". Although she's still in love with her boyfriend, Johanna decides to change her life completely, moving to Switzerland to live in this community. Boris however is not amused. During the world-cup soccer finale, the couple experience its own crucial struggle.
“I deliver all your medicine right before you know you’re ill!” Clicked. Ordered. Delivered. Anima Overdrive sells the poison for overstrung souls. To pulsating beats from the nineties, a performer spits word salvos through the ether with the penetrating force of a turbo-capitalistic ad campaign.
A jam-packed train ride of a bunch of restless, tired and closemouthed people looking like half-professional, contemporary celebrity look-alikes; among others, in the company of lots of XXL-coffee-to-go cups, a ghost of a 1930’s dirndl, two police officers in full rig, a jogging zombie and the military...
Clowns are more than jesters; they hold a mirror up to society. They move between the worlds and like to break rules, albeit with a wink. At the same time, clowns are contradiction experts by nature, because they know on the one hand that life is far too short to be sad, and on the other hand use their art not only to entertain us but to make oppression and violence visible and attackable.
In “Everybody’s Cage”, German film artist Sandra Trostel turns John Cage and his approach to art into a tangible fascination, without giving in to explain just a single bit of it.
