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A Prague police unit reopens time‑critical cold cases before the statute of limitations runs out, pairing a seasoned loner with a principled young detective to re‑examine old evidence and pursue new leads across real city locations.
Do not look. Do not ask. Don't click. Fifteen-year-old Marty had his whole life ahead of him. But now he's dead. All he had left was a series of frosty videos he had shot shortly before his death. The grieving father puts together fragments of Marty's online life to reveal the circumstances of his tragic end. Inspired by real cyberbullying cases, the eight-part thriller #martyisdead won the main prize at the Serial Killer international festival. (MALL.TV)
Standa Pekárek has three wishes in life: to drive a volga, to drive for the Humour and Folk Entertainment editorial office and to drive Got'ák. The five-part miniseries Volha is an adaptation of the novel of the same name by Karel Hynia, written in an extraordinary, bizarre and precisely echoed language. It can be perceived as a peculiar history of Czechoslovak television with a number of incredible, albeit real, "stories from the set". At the same time, however, it is a portrait of its main character - a limited egocentric who excels in inventing small tricks and deceptions - how to steal petrol, fake mileage, cheat his wife, get rid of the competition. Logically, he then also becomes a StB collaborator (with the code name Volha) who informs on all his co-workers and passengers without any remorse.
After a sleepless New Year’s Eve night, Jindra and his daughter Bára set out to search for their lost dog. The frustrating situation reopens unresolved conflicts. Bára blames Jindra not only for losing the dog, but also for his recent divorce from her mother. As they wander helplessly through deserted fields, Jindra tries to prove that he is not useless.
A primary school teacher with an inferiority complex about her weight, a bank clerk who suddenly develops a strange rash around her eyes, an aging owner of a 24-hour deli in an unhappy marriage, a lonely man living in the woods and strangers' cottages. They can continue to survive with their problems, hide them, and not deal with them. Or they can fight it and, at the cost of scars and wounds, improve their lives.
One phone call shakes Petra's life from the ground up. Her husband's fatal collapse causes Petra to become a widow from day to day. As she soon finds out, sadness and loneliness are not the only challenges she has to face.
