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Alice White

Alice White

Acting

Biography

From Wikipedia, the free encyclopedia Alice White (born Alva White, August 25, 1904 – February 19, 1983) was an American film actress. Her career spanned late silent films and early sound films. After leaving school, White became a secretary and "script girl" for director Josef Von Sternberg. She also worked as a switchboard operator at the Hollywood Writers' Club. After clashing with Von Sternberg, White left to work for Charlie Chaplin, who decided before long to place her in front of the camera. Her bubbly and vivacious persona led to comparisons with Clara Bow, but White's career was slow to progress. In his book, Silent Films, 1877-1996: A Critical Guide to 646 Movies, Robert K. Klepper wrote: "Some critics have said that Ms. White was a second-string Clara Bow. In actuality, Ms. White had her own type of charm, and was a delightful actress in her own, unique way. Whereas Clara Bow played the quintessential, flaming redheaded flapper, Alice White was more of a bubbly, vivacious blonde." After playing a succession of flappers and gold diggers, she attracted the attention of director and producer Mervyn LeRoy, who saw potential in her. Her screen debut was in The Sea Tiger (1927). Her early films included Show Girl (1928), which had Vitaphone musical accompaniment but no dialog, and its "talkie" musical sequel Show Girl in Hollywood (1930), both released by Warner Brothers and both based on novels by J. P. McEvoy. In these two films, White appeared as "Dixie Dugan". In October 1929, McAvoy started the comic strip Dixie Dugan with the character Dixie having a "helmet" hairstyle and appearance similar to actress Louise Brooks. White also used the services of Hollywood 'beauty sculptor' Sylvia of Hollywood to stay in shape. White was featured in The Girl from Woolworth's (1929), having the role of a singing clerk in the music department of a Woolworth's store. Karen Plunkett-Powell wrote in her book, Remembering Woolworth's: A Nostalgic History of the World's Most Famous Five-and-Dime: "First National Pictures produced this 60-minute musical as a showcase for up-and-coming actress Alice White." She left films in 1931 to improve her acting abilities, returning in 1933 only to have her career hurt by a scandal that erupted over her involvement with boyfriend actor Jack Warburton and future husband Sy Bartlett. Although she later married Bartlett, her reputation was tarnished and she appeared only in supporting roles after this. By 1937 and 1938, her name was at the bottom of the cast lists. She made her final film appearance in Flamingo Road (1949) and eventually resumed working as a secretary.

Known For

Jimmy the Gent
6.4

An unpolished racketeer, whose racket is finding heirs for unclaimed fortunes, affects ethics and tea-drinking manners to win back the sweetheart who now works for his seemingly upright competitor.

Jimmy the Gent

1934
The Show of Shows
6.8

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

The Show of Shows

1929
Sweet Mama
7.0

A young girl falls in love with a member of a gang of crooks. She determines to bring the rest of the gang to justice so she can save the man she loves.

Sweet Mama

1930
Flamingo Road
7.1

A stranded carnival dancer takes on a corrupt political boss when she marries into small-town society.

Flamingo Road

1949
Big City
7.7

Anna and Joe are newly married, playful and deeply in love. Joe is scraping by as cab driver in New York City during a period of corruption, mob control and violence between cab companies.

Big City

1937
Sweet Music
6.8

A midwest band leader and his lead singer share a love-hate relationship as they try for success in New York.

Sweet Music

1935
Show Girl in Hollywood
5.8

Broadway actress leaves New York to become a star in Hollywood, and succeeds despite sleazy directors and her own ego.

Show Girl in Hollywood

1930
Gentlemen Prefer Blondes
10.0

Gold digging blonde Lorelei and her brunette friend Dorothy are searching for rich husbands. This film is believed lost.

Gentlemen Prefer Blondes

1928
A Very Honorable Guy
6.0

Well respected local good guy, "Feet" Samuels finds himself heavily in debt due to an uncharacteristic gambling binge. Feet decides the only way to settle the bill is by selling his body to an ambitious doctor who agrees to allow him one last month to live life to the fullest, then kill himself.

A Very Honorable Guy

1934
Coronado
5.0

Southern California's Hotel Coronado caters to and is frequented by members of the social upper-crust. Although she lives on the wrong side of the San Diego track, in a tent-city with her father. Otto, and ditzy sister, Violet, June Wray is a singer with the Eddy Duchin Orchestra appearing to the hotel. Johnny Marvin, an aspiring songwriter and the son of a wealthy automobile manufacturer, is staying at the hotel and, from they moment June and Johnny meet, they fall instantly in love. Trouble arises when Johnny's father objects to the romance, and complications and help arrive in the form of two Marine-hating sailors,Chuck Hornbostel and "Pinky" Falls, when Chuck marries June's ditzy sister.

Coronado

1935
Naughty Baby
5.0

A cloak room girl (Alice White) falls for a rich boy who may not actually be rich.

Naughty Baby

1928
Luxury Liner
7.3

This drama offers a few slices from the lives of those who live, work, and travel upon a luxurious trans-atlantic ocean liner.

Luxury Liner

1933
Picture Snatcher
6.8

An ex-con uses his street smarts to become a successful photojournalist.

Picture Snatcher

1933
Playing Around
5.0

New York girl has a dull boyfriend and seems destined for a dull marriage when she meets a rich playboy who has money to burn and places to go.

Playing Around

1930
Cross Country Cruise
6.7

A young woman is involved with a married man, although she does not know that he is married. He kills his jealous wife and implicates her in the murder. However, a playboy character who had been flirting with the woman earlier turns amateur detective and clears her.

Cross Country Cruise

1934
The Night of January 16th
5.8

Accused of killing her employer, financier Bjorn Faulkner, Kit is championed by wisecracking sailor-on-leave Steve Van Ruyle, who has a vested interest in the outcome of the trial.

The Night of January 16th

1941
King for a Night
7.2

A cocky prizefighter on his way to the bigtime in New York comes crashing down when his sister is involved in a murder and he takes the blame.

King for a Night

1933
Sweethearts on Parade
2.5

Helen and Nita work in a department store to make ends meet while they search for millionaire husbands. They meet Bill and Hank, who make them reconsider whether they really need millionaires to be happy.

Sweethearts on Parade

1930
Murder at Midnight
5.7

Wealthy Mr. Kennedy shoots his secretary, Channing, during a parlor game, but it turns out the gun was loaded with real bullets. Luckily, criminologist Phillip Montrose is on hand to help the police. When Kennedy quickly ends up dead as well, the police think it's a tidy murder-suicide, but the family lawyer knows of a letter that voiced Kennedy's suspicions about someone who was out to get him. Soon, the cops are on the trail of a ruthless and clever killer who is one step ahead of even Montrose.

Murder at Midnight

1931
The Private Life of Helen of Troy
4.4

Setting the standard for his later light-hearted biopics The Private Life of Henry VIII and Rembrandt, producer-director Alexander Korda steadfastly refuses to take any of The Private Life of Helen of Troy seriously. Maria Corda, wife of the director, plays the title character as a fetchingly underdressed coquette, oblivious to all the political turmoil she's causing when she allows the handsome Paris (Ricardo Cortez) to kidnap her. Meanwhile, poor King Menelaus (Lewis Stone), Helen's husband, stands by in stoic silence, just as he's done on previous occasions when his wife succumbed to the charms of various sexy suitors (one of whom is played by future cowboy star "Wild Bill" Elliot). Finally galvanized into action, Menelaus reclaims his bride, who seems none the worse for wear for her experiences.

The Private Life of Helen of Troy

1927